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Verwaltungsrecht, BT. Cassette. Besonderer Teil ausser Kommunal- und Beamtenrecht Strafprozessrecht. Cassette Vollstreckungsrecht I Guenter Raddatz? Allgemeines Verwaltungsrecht 1. Verwaltungsverfahrens- und Verwaltungsprozessrecht Horst Wuestenbecker? Familienrecht Guenter Raddatz? Allgemeines Verwaltungsrecht 2. Verwaltungsverfahrens- und Verwaltungsprozessrecht Horst Wuestenbecker? Strafrecht BT III. Delikte gegen Gueter der Rechtsgemeinschaft Rolf Krueger? Kommunalrecht Baden- Wuerttemberg. Nach dem Landesrecht Rainer Schulte?Otto Haeusser? Staatshaftungsrecht. Cassette Kommunalrecht nach dem Landesrecht von Nordrhein- Westfalen Horst Wuestenbecker? Silvia und der Regenzauber Evelyn Schmidt? BGB Schuldrecht, Allgemeiner Teil 2. Cassette. Beteiligung mehrerer am Schuldverhaeltnis Strafrecht, Besonderer Teil. Nichtvermoegensdelikte II. Cassette. Delikte gegen hoechstpersoenliche Rechtsgueter ZPO ( Zivilprozessordnung) Walter Baumfalk? Allgemeines Steuerrecht Otto-Gerd Lippross? Strafrecht AT 2 Rolf Krueger? BGB, Allgemeiner Teil 1. Cassette. Gesamtlaufzeit ca. 60 Minuten Verwaltungsrecht, AT 1. Cassette Auf dem Weg zur deutschen Einheit. 6 CDs + mp3-CD . Bilanz und Ausblick Helmut Schmidt? Sachenrecht 2. Grundstuecksrecht Josef Alpmann? Strafrecht, Besonderer Teil. Vermoegensdelikte 1. Cassette. Straftaten gegen einzelne Vermoegenswerte Staats- und Verwaltungsrecht. Grundlagenskriptum Holger Schwemer? Wertpapierrecht. Karteikarte. ( Bearbeitungsstand 1994) Hans F. Thomas? Strafrecht, Besonderer Teil. Vermoegensdelikte 2. Cassette. Straftaten gegen das Vermoegen als Ganzes Strafrecht, Besonderer Teil. Nichtvermoegensdelikte 1. Cassette. Urkunden- und Muenzdelikte Schuldrecht BT 4. Unerlaubte Handlungen und Allgemeines Schadensrecht Guenter Raddatz? Bilanzsteuerrecht Heinrich Weber-Grellet? Zwangsvollstreckungsrecht. Lernkartei Hans F. Thomas? Zivilprozessrecht. Vollstreckungsrecht. Cassette Schuldrecht BT 2. Vertragsarten 535; 516 ff. Verbraucherschutz Josef Alpmann?Guenter Raddatz? Umsatzsteuerrecht Wolfram Reiss? Nichtvermoegensdelikte. Karteikarte. ( Bearbeitungsstand 1994) Hans F. Thomas? Verwaltungsrecht AT 2. Cassette Europarecht Martin Matzat? Beamtenrecht Hansjochen Duerr? Strafprozessrecht. Karteikarte. ( Bearbeitungsstand 1994) Hans F. Thomas? Gesellschaftsrecht. (3599 957) Josef Alpmann?Josef A. Alpmann?Friedrich Mohr? Polizeirecht und allgemeines Ordnungsrecht Holger Schwemer? Schuldrecht AT 2 Guenter Raddatz? KLAR - Literatur-Kartei ssAber Aisha ist doch nicht euer Eigentum!ss. (Lernmaterialien) Ben Faridi?Stephanie Schmidt? Schuldrecht BT 1. Kauf- und Werkvertrag Josef Alpmann? Verfassungsrecht. Staatsorganisationsrecht Horst Wuestenbecker? Klausurtraining im Buergerlichen Recht, Strafrecht und Oeffentlichen Recht Hans-Friedrich C. Thomas? Zivilprozessrecht. Stagen und Examen Walter Baumfalk? Schuldrecht AT 1 Josef Alpmann?Josef A. Alpmann? Die zivilgerichtliche Assessorklausur. Klausur-, Relations- und Urteilstechnik Walter Baumfalk? BGB Grundstuecksrecht. Karteikarte. ( Bearbeitungsstand 1995) Holger Schwemer?Hans F. Thomas?Klaus Tychsen? Strafrecht, Allgemeiner Teil 1. Cassette Strafrecht, Allgemeiner Teil 2. Cassette Strafrecht AT. Karteikarte. ( Bearbeitungsstand 1995) Hans F. Thomas? Familienrecht. Cassette Standardfaelle Baurecht Manuela Maria Schmidt? Freund gesucht! Dringend! Gerda Anger-Schmidt? Posters Guenter Schmidt? Massstaebe fuer die Wirksamkeit von Fachhandels- Vertriebsbindungen Heiner Heidmeier?Juergen F. Baur?Klaus P. Martens?Karsten Schmidt? Strafrecht, Besonderer Teil 1. Vermoegensdelikte Rolf Krueger? BGB AT II Josef Alpmann? Wertpapierrecht Guenter Raddatz? Gesellschaftsrecht. Karteikarte. ( Bearbeitungsstand 1995) Hans F. Thomas? Einkommensteuerrecht Otto-Gerd Lippross? Handelsrecht. Karteikarte. ( Bearbeitungsstand 1995) Hans F. Thomas? BGB Schuldrecht, Besonderer Teil 4. Cassette. Unerlaubte Handlungen. Allgemeines Schadensrecht Training im Mannschaftsspiel. Modelle und Forschungsergebnisse Guenter Hagedorn?Gerhard Schmidt?Walter Volpert?Detlev. Fey?Rolf Andresen?Guenter. Hagedorn? Basketball - Handbuch Guenter Hagedorn?Dieter Niedlich?Gerhard Schmidt? Strafrecht, Allgemeiner Teil.Der akustische Examenstest auf Audio- CD. Fragen und Antworten Zeit fuer Zaertlichkeit (5915 210). Spielerische Uebungen fuer Liebe und Partnerschaft Ulrike Kutzleb?Anneliese Schmidt?Leonhard. Walczak? Strafprozessordnung ( StPO). Grundzuege des Strafverfahrensrechts. Ueberblick ueber das OWiG Frank Mueller? Memo- Check BGB AT. Examenstest Franz Rossmann? Rate mal, wer dich heute besucht! Gerda Anger-Schmidt? Schuldrecht BT 3. Bereicherungsrecht Josef Alpmann? Schlesisches Porzellan vor 1945 Gerhard Schmidt-Stein? Gruppen leiten Das Kursbuch. Gespraechsfuehrung, Motivation, Konfliktloesungen, Anregungen Hans Hartmut Schmidt? Die Umwelthaftung der Organmitglieder von Kapitalgesellschaften Holger Schmidt? Vermoegensdelikte. Lernkartei Hans F. Thomas? Memo- Check StGB AT Gerd Hufgard? Verfassungsrecht 1. Cassette. ( Staatsorganisationsrecht) Verfassungsrecht 2. Cassette. ( Staatsorganisationsrecht) Memo- Check Sachenrecht Michael Baeumer? Das A- B- C der Lebenskunst. Auch Sie koennen mehr erreichen Karl O. Schmidt? Handbuch Personalauswahl Edith Kahlke?Victor Schmidt? Seeing Sound. Vom Groove der Buchstaben und der Vision vom Klang Matt Woolman? Agamen im Terrarium Friedrich-Wilhelm Henkel?Wolfgang Schmidt? Die oeffentlich - rechtliche Assessorklausur Horst. Wuestenbecker? BGB Allgemeiner Teil. Der akustische Examenstest auf Audio- CD. Gesamtlaufzeit ca. 74 min Grundstrukturen Zivilrecht 1996 Josef Alpmann?Guenter Raddatz?Frank Mueller? BGB, Allgemeiner Teil. Lernkartei Klaus Tychsen? Strafrecht AT. Karteikarte. ( Bearbeitungsstand 1996) Hans F. Thomas? Arbeitsrecht. Lernkartei Hans F. Thomas? Memo- Check Bereicherungs- und Deliktsrecht. Examenstest Michael Baeumer? Strafrecht, Besonderer Teil 2. Delikte gegen hoechstpersoenliche Rechtsgueter Rolf Krueger? Memo- Check StGB BT. 324 Fragen und Antworten Gerd Hufgard? Gesellschaftsrecht. Karteikarte. ( Bearbeitungsstand 1996) Hans F. Thomas? BGB Grundstuecksrecht. Karteikarte. ( Bearbeitungsstand 1996) Holger Schwemer?Hans F. Thomas?Klaus Tychsen? Arbeitsrecht Guenter Marschollek? Planet ohne Waelder? Plaedoyer fuer eine neue Waldpolitik Liesel Hartenstein?Ralf Schmidt? BGB, Allgemeiner Teil 2. Cassette. Laufzeit ca. 63 Minuten Zivilprozessrecht. Vollstreckungsrecht. Cassette UN- Kaufrecht Dietmar Janzen?Josef Alpmann? ZPO ( Zivilprozessordnung) Walter Baumfalk? Finanzierungsleasinggeschaefte Heiner Beckmann? Wirtschaftspartner Grossbritannien Axel Schmidt?Guenter Kayser? Wald, Forstwirtschaft und Umwelt. (Bd. 10) Harald Thomasius?Peter A. Schmidt? Unkonventionelle Energiewandler Eckehard F. Schmidt? Religioese Erfahrung und theologische Reflexion Heinrich. Doering?Armin Kreiner?Perry. Schmidt-Leuke? Ist doch gut, dass ich einen Vater habe. Kinder erzaehlen von ihren Vaetern Evamaria. Schmidt? Jugend, Familie und Haushalt. Internationale Beitraege zu Entwicklung und Lebensgestaltung Irmhild Kettschau?Barbara Methfessel?Hiltraud Schmidt-Waldherr? Textilien und Umwelt. Schuelerarbeitsbuch. Schuljahr 5-10 Doris Schmidt? Kleidung im Mittelalter Doris Schmidt? Einfuehrung in die Textildidaktik Doris Schmidt? Dem Kinde zugewandt. Ueberlegungen und Vorschlaege zur Erneuerung des Bildungswesens Hans-Dieter Schmidt?Uwe Schaarschmidt?Volkhard Peter? Nahrungsmittel- Allergien Angela Clausen?Wolf-Dieter Schmidt?Klaus Klein? Kreditsicherungsrecht I Wolfgang C. Fahlbusch? Hypertonie Michael Apel?Klaus Klein?Inke Schmidt? Memo- Check Schuldrecht BT Franz Thomas Rossmann? Methodische Probleme der empirischen Erziehungswissenschaft. Mit Textbeitraegen in englischer Sprache Hans Merkens?Folker Schmidt? Rundwanderungen Schwaebischer Wald und Schurwald Werner Schmidt? Rundwanderungen Schwaebische Alb. Westlicher Teil. Vom Lenninger Tal bis zum Donautal Werner Schmidt? Arbeitsrecht 2. Beendigung des Arbeitsverhaeltnisses Guenter Marschollek? Rundwanderungen Schwaebischer Wald und Schurwald Werner Schmidt? Die Sprachfamilien und Sprachenkreise der Erde. Textband und Atlasband P. W. Schmidt? Schizophrene Sprache in Monolog und Dialog Susanne Schmidt-Knaebel? Steuertips fuer Studenten und Referendare 1996 Memo- Check ZPO, StPO Gerd Hufgard? Memo- Check Polizei- und Ordnungsrecht / Staatshaftung Memo- Check Familien- und Erbrecht. 261 Fragen und Antworten Michael Baeumer? Stellenkommentar zum IX. Buch des ' Willehalm ' Wolframs von Eschenbach Ernst J Schmidt? Allgemeines Steuerrecht Otto-Gerd Lippross? Vollstreckungsrecht I Guenter Raddatz? Die drei Kritiken Immanuel Kant?Heiner F. Klemme?Raymund Schmidt?Karl Vorlaender? Allgemeines Verwaltungsrecht AT 1. Verwaltungsverfahrens- und Verwaltungsprozessrecht Horst Wuestenbecker? Handelsrecht. Karteikarte. ( Bearbeitungsstand 1996) Hans F. Thomas? Foundations for Empirical Study of Literature Components of a Basic Theory Siegfried J. Schmidt? Kartell- und Wettbewerbsrecht Josef A. Alpmann? Erbrecht Josef Alpmann?Ralf Buering? Konkurs- und Vergleichsrecht. Sowie Anfechtungsrecht. ( Gesamtvollstreckungsordnung) Wolfgang C. Fahlbusch? Allgemeines Verwaltungsrecht 2 Horst Wuestenbecker? Vermoegensdelikte. Lernkartei. 49 Karteikarten Hans F. Thomas? Katalog der Khoisan- Volkserzaehlung des suedlichen Afrikas I. Quellen und Register Sigrid Schmidt? Katalog der Khoisan- Volkserzaehlung des suedlichen Afrikas II. Die Erzaehlungen Sigrid Schmidt? Einfuehrung in die chinesische Schrift und Zeichenkunde Wolfgang G. A. Schmidt? Grundrechte Hans-Gerd Pieper? Schuldrecht BT 2 Josef Alpmann?Guenter Raddatz? Gymnasiasten im Konfliktfeld Schule Angelika Schmidt-Wellenburg? Sachenrecht 3. Allgemeine Lehren Josef Alpmann? Einfuehrung in die koreanische Schrift. Mit einem sprach- und landeskundlichen Abriss Wolfgang G. A. Schmidt? Luebeck. Altstadt Weltkulturerbe. Ansprueche an ein Denkmal Die strafrechtliche Assessorklausur 1. Aufgabenstellungen im Ermittlungsverfahren Rolf Krueger?Rainer Kock? Die strafrechtliche Assessorklausur 2 Rolf Krueger?Rainer Kock? BGB AT I Josef Alpmann? BGB AT II Josef Alpmann? Sachenrecht 1. Bewegliche Sachen Josef Alpmann? Handelsrecht. Handelsstand und Handelsgeschaefte Josef Alpmann?Josef A. Alpmann? Vollstreckungsrecht II Guenter Raddatz? Ein Hamster fuer Lisa Gerda Anger-Schmidt? Handeln fuer Deutschland. Wege aus der Krise Helmut Schmidt? Unser Freund der Dichter Paul Mangold?Bernd Schmidt? Zivilprozess. Stagen und Examen Walter Baumfalk? Die oeffentlich - rechtliche Assessorklausur 1997. Mit den Aenderungen des 6. VwGOAendG Horst. Wuestenbecker? Steuertips fuer Studenten und Referendare 1997 Erbrecht. Cassette. Stand 1997 Unser Freund der Musiker Paul Mangold?Bernd Schmidt? Strafrecht, Besonderer Teil 3. Delikte gegen Rechtsgueter der Rechtsgemeinschaft Rolf Krueger? Verwaltungsrecht BT 1. Besonderes Ordnungsrecht Horst Wuestenbecker? Schuldrecht AT 1 Josef Alpmann?Josef A. Alpmann? Schuldrecht AT 2 Guenter Raddatz? Rechtsphilosophie Heinrich Weber-Grellet? Kriminologie, Jugendstrafrecht, Strafvollzug. 32 Faelle Bertram Schmitt? Gesellschaftsrecht Josef Alpmann?Josef A. Alpmann?Friedrich Mohr? BGB, Allgemeiner Teil. Lernkartei Zivilprozessordnung ( ZPO) - Erkenntnisverfahren. Karteikarte Holger Schwemer?Hans F. Thomas?Klaus Tychsen? Unser Freund der Maler Paul Mangold?Bernd Schmidt? Familienrecht. Karteikarte Holger Schwemer?Hans F. Thomas?Klaus Tychsen? Entschaedigungsrecht. Lernkartei Strafprozessrecht. Lernkartei Verfassungsrecht. Der akustische Examenstest auf CD Arbeitsrecht. Der akustische Examenstest auf CD. Fragen und Antworten Strafrecht Allgemeiner Teil AT 1 Rolf Krueger? Memo- Check Verwaltungsrecht Allgemeiner Teil Hubert. Krueger? Schuldrecht BT 3. Bereicherungsrecht Josef Alpmann? Rechtsprechungsuebersicht ( RUe) 1990 - 1997. CD- ROM fuer Windows 3.1/95/ NT Strafprozessrecht. Cassette Zivilprozessrecht. Erkenntnisverfahren. Cassette Zivilprozessrecht. Vollstreckungsrecht. Cassette Die zivilgerichtliche Assessorklausur. Klausur-, Relations- und Urteilstechnik Walter Baumfalk? Verwaltungsrecht BT 2 Horst Wuestenbecker? Familienrecht Guenter Raddatz? Arbeitsrecht Guenter Marschollek? Strafprozessordnung ( StPO). Grundzuege des Strafverfahrensrechts. Ueberblick ueber das OWiG Frank Mueller? Studium und Referendariat richtig geplant Oliver Munte?Thorsten Reinhard? Grundstrukturen Strafrecht Rolf Krueger? Kommunalrecht nach dem Landesrecht von Nordrhein- Westfalen Horst Wuestenbecker? Insolvenzrecht und Anfechtungsrecht Wolfgang C. Fahlbusch? Strafrecht Allgemeiner Teil 2 Rolf Krueger? Wertpapierrecht Guenter Raddatz? Memo- Check StGB BT in der Neufassung vom 1. 04. 1998 Gerd Hufgard? Memo- Check BGB AT Franz Rossmann? Deutsche Rechtsprechung. CD- ROM fuer Windows 3.1/95 Kriminologie, Jugendstrafrecht, Strafvollzug Bertram Schmitt? Memo- Check Oeffentliches Recht. CD- ROM fuer Windows 95/98/ NT 4.0 Memo- Check Zivilrecht 1. CD- ROM fuer Windows 95/ NT 4.0 Memo- Check Strafrecht. CD- ROM fuer Windows 95/ NT 4.0. Strafrecht AT, Strafrecht BT ( 6. StrRG), StPO. 747 Fragen Unser Freund der Bildhauer Paul Mangold?Bernd Schmidt? Die zivilrechtliche Anwaltsklausur im Assessorexamen Walter Baumfalk? Memo- Check Verfassungsrecht / Grundrechte. 306 Fragen und Antworten Hubert Krueger? Schuldrecht BT 1. Kauf- und Werkvertrag Josef Alpmann? Schuldrecht BT 2 Josef Alpmann?Guenter Raddatz? Schuldrecht BT 3. Auftrag, GoA, Bereicherungsrecht Josef Alpmann? Sachenrecht 2. Grundstuecksrecht Josef Alpmann? Handelsrecht Josef Alpmann?Josef A. Alpmann? Gesellschaftsrecht Josef A. Alpmann?Friedrich Mohr? Logotypographic. A Visual Narrative Antonia Henschel? Grundstrukturen Zivilrecht. BGB, Arbeitsrecht, Handelsrecht, Gesellschaftsrecht Josef Alpmann?Guenter Raddatz?Frank Mueller? Strafrecht Allgemeiner Teil 1 Rolf Krueger? Memo- Check Familien- und Erbrecht Michael Baeumer? Strafrecht Besonderer Teil 1. Vermoegensdelikte Rolf Krueger? Memo- Check Zivilrecht 2. CD- ROM fuer Windows 95/98/ NT 4.0. Sachenrecht 1 - 3, Familienrecht, Erbrecht Strafrecht, Besonderer Teil 2. Delikte gegen hoechstpersoenliche Rechtsgueter Rolf Krueger? Steuertips fuer Studenten und Referendare 1998 ZPO ( Zivilprozessordnung) Walter Baumfalk? Grundstrukturen Oeffentliches Recht Thomas. Mueller? Verfassungsrecht. Staatsorganisationsrecht Horst Wuestenbecker? RechtsprechungsUebersicht ( RUe) 1990 - 1998. CD- ROM fuer Windows 3.1/95/98/ NT. Folio Version 4.20 Memo- Check Arbeitsrecht Joerg Holtmann? Erbrecht Josef Alpmann?Ralf Buering? Polizeirecht und allgemeines Ordnungsrecht Holger Schwemer? Typolemik / Typophilie. Streiflichter zur Typographical Correctness Hans Peter Willberg? Insolvenzrecht und Anfechtungsrecht Wolfgang C. Fahlbusch? Emoticons. Kultkommunikation ohne Worte. Karin Niedermeier? Schuldrecht BT 4. Unerlaubte Handlungen und Allgemeines Schadensrecht Guenter Raddatz? Zivilprozess. Stagen und Examen Walter Baumfalk? Hans mein Igel Jacob GrimmWilhelm GrimmPaula Schmidt?Sarah Kirsch? Strafrecht, Besonderer Teil 3. Delikte gegen Rechtsgueter der Rechtsgemeinschaft Rolf Krueger? Erbrecht. Cassette. Stand 1999 BGB, Allgemeiner Teil 2. Cassette. Stand 1999 Gesellschaftsrecht. Cassette. Stand 1999 Strafrecht, Besonderer Teil. Vermoegensdelikte 1. Cassette. Straftaten gegen einzelne Vermoegenswerte Strafrecht, Besonderer Teil. Vermoegensdelikte 2. Cassette. Delikte gegen das Vermoegen als Ganzes. Stand 1999 Strafrecht, Besonderer Teil. Nichtvermoegensdelikte 1. Cassette. Aussage- und Urkundsdelikte. Stand 1999 Lauter nette Tiere Annie M. G. Schmidt?Harrie Geelen? Strafrecht Besonderer Teil. Nichtvermoegensdelikte 2. Cassette. Delikte gegen hoechstpersoenliche Rechtsgueter Strafprozessordnung ( StPO). Grundzuege des Strafverfahrensrechts. Ueberblick ueber das OWiG Frank Mueller? Kartell- und Wettbewerbsrecht J. A. Alpmann? Lehr- und Uebungsbuch Mathematik 1. Arithmetik. Algebra und elementare Funktionenlehre Fritz Bewert?Willy Bennewitz?Ronald-Ulrich. Schmidt? Grafik- Design in Deutschland 1890-1945 Jeremy Aynsley? Strafrecht Allgemeiner Teil 2. Juni 1999 Rolf Krueger? Strafrecht Besonderer Teil 1. Vermoegensdelikte Rolf Krueger? Verwaltungsrecht, AT 1. Cassette. Grundlagen und VA. Stand 1999 Verwaltungsrecht AT 2. Cassette BGB Schuldrecht BT 4. Cassette. Unerlaubte Handlungen. Allgemeines Schadensrecht. Stand 1999 Sachenrecht 1. Bewegliche Sachen Josef Alpmann? Ausbilder- Handbuch. Abonnement Guenter Cramer?Hermann Schmidt?Wolfgang Wittwer? Klinische Psychologie. Entwicklungen, Reformen, Perspektiven Lothar R. Schmidt? Steuertips fuer Studenten und Referendare 1999 Verwaltungsrecht BT 1. Besonderes Ordnungsrecht Horst Wuestenbecker? Memo- Check Schuldrecht BT. 324 Fragen und Antworten Franz Thomas Rossmann? Memo- Check Bereicherungs- u. Deliktsrecht. 279 tabellierte Fragen und Antworten Michael Baeumer? Faelle und Loesungen nach hoechstrichterlichen Entscheidungen, BGB - Schuldrecht Josef Esser?Eike Schmidt?Johannes Koendgen? Abwaerme Th. E. Schmidt?J. Wachter? Memo- Check StGB AT Gerd Hufgard? Asbest. Kompendium fuer Betroffene, Planer und Sanierer Werner Linster?Albrecht Schmidt? Memo- Check ZPO/ StPO Gerd Hufgard? Output 06. 2003 RFID im Mobile Supply Chain Event Management. Anwendungsszenarien, Verbreitung und Wirtschaftlichkeit Dirk Schmidt? Kaelteanlagentechnik 1 in Fragen und Antworten. Grundlagen. Arbeits- und Uebungsbuch mit Aufgaben und Loesungen Erhard Planck?Dieter Schmidt? Asbest. Kompendium fuer Betroffene, Planer und Sanierer Werner Linster?Albrecht Schmidt?Thomas Nowak? Grundstrukturen Strafrecht. Strafrecht, Strafprozessrecht Rolf Krueger? Forms and Feelings. L design Arik Levy?Pippo Lionni? Einkommensteuerrecht Otto-Gerd Lippross? Introduction to English Civil Law 1. For German Speaking Lawyers and Law Students Rainer Woerlen? Memo- Check Handels- und Gesellschaftsrecht. 270 Fragen und Antworten Joerg Holtmann? Arbeitsrecht 1. Individualarbeitsrecht. Cassette BGB Schuldrecht, Allgemeiner Teil 1. Leistungsstoerungen. Cassette BGB Schuldrecht, Besonderer Teil 1. Cassette. Kaufrecht BGB Sachenrecht 1, Bewegliche Sachen. Cassette BGB Sachenrecht 2. Cassette. Grundstuecksrecht BGB Sachenrecht 3. Cassette. Allgemeine Lehren. Stand 2000 Strafrecht, Allgemeiner Teil 1. Cassette Strafrecht, Allgemeiner Teil 2. Cassette Grundrechte 1. Cassette. Grundrechtsdogmatik Schuldrecht AT 1. Skript. Mit 47 Beispielfaellen Josef Alpmann?Meike Raschat? Skiboarding. Ein Quick- Step- Programm. Fun und Action. Hermann Reitberger?Stefan Schmidt?Klaus Streil?Michael Reusse? Steuerberater- Jahrbuch 1996/97 Norbert Herzig?Manfred Guenkel?Ursula Niemann? Physik Klasse 6 Lehrbuch Brandenburg Reinhard Kionke?Lothar Meyer?Gerd-Dietrich Schmidt? The True Paradise Michael Schmidt?Gamini Salgado? Vrfaulte Gack. CD Hendrik Heidler?Erika Graf?Peter Schmidt?Katrin Wilde? Kodierte Gefuehle Simone Winko? Einfuehrung in die spanische Sprachwissenschaft. Ein Lehr- und Arbeitsbuch Wolf Dietrich?Horst Geckeler? Vrfaulte Gack. Cassette Hendrik Heidler?Erika Graf?Peter Schmidt?Katrin Wilde? Wilhelm Raabe Briefe 1842-1870 Autorinnen der viktorianischen Epoche. Eine Einfuehrung Silvia Mergenthal? Shakespeare - deutsch Hansjuergen Blinn?Gerhard Schmidt? Mythomimesis Volker C. Doerr? Physik Klasse 7 Lehrbuch Gymnasium Mecklenburg- Vorpommern Edith Wulff?Lothar Meyer?Gerd-Dietrich Schmidt? Regionale Literaturgeschichtsschreibung Kuenstliche Horizonte. Alteritaet in literarischen Repraesentationen Suedamerikas Michaela Holdenried? Physik Klasse 7 Lehrbuch Gymnasium Sachsen Guenter Kunert?Lothar Meyer?Gerd-Dietrich Schmidt? Ihr Hobby Aquarienpraxis Bernd Degen?Juergen Schmidt? Grundriss des deutschen Steuerrechts Michael Daumke? Ihr Hobby Prachtschmerlen Klaus Gernhard?Juergen Schmidt? Erbschaft- und Schenkungsteuer Peter Handzik?
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UP CHAPTER II CHAPTER I Mrs. Rachel Lynde is Surprised Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde s Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde s door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor s business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel s all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky- white bloom, hummed over by a myriad of bees. Thomas Lynde-- a meek little man whom Avonlea people called "Rachel Lynde s husband"--was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair s store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn t happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon s enjoyment was spoiled. "I ll just step over to Green Gables after tea and find out from Marilla where he s gone and why," the worthy woman finally concluded. "He doesn t generally go to town this time of year and he NEVER visits; if he d run out of turnip seed he wouldn t dress up and take the buggy to go for more; he wasn t driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I m clean puzzled, that s what, and I won t know a minute s peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde s Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert s father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place LIVING at all. "It s just STAYING, that s what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It s no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren t much company, though dear knows if they were there d be enough of them. I d ruther look at people. To be sure, they seem contented enough; but then, I suppose, they re used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without overbrimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew s white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn t it? Won t you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We re all pretty well," said Mrs. Rachel. "I was kind of afraid YOU weren t, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor s." Marilla s lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor s curiosity. "Oh, no, I m quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We re getting a little boy from an orphan asylum in Nova Scotia and he s coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we ve been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we d get a boy. Matthew is getting up in years, you know--he s sixty-- and he isn t so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it s got to be to get hired help. There s never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he s up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said `no flat to that. `They may be all right--I m not saying they re not--but no London street Arabs for me, I said. `Give me a native born at least. There ll be a risk, no matter who we get. But I ll feel easier in my mind and sleep sounder at nights if we get a born Canadian. So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer s folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station-- saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I ll just tell you plain that I think you re doing a mighty foolish thing--a risky thing, that s what. You don t know what you re getting. You re bringing a strange child into your house and home and you don t know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he s likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it ON PURPOSE, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn t break him of it. If you had asked my advice in the matter--which you didn t do, Marilla--I d have said for mercy s sake not to think of such a thing, that s what." This Job s comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don t deny there s something in what you say, Rachel. I ve had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It s so seldom Matthew sets his mind on anything that when he does I always feel it s my duty to give in. And as for the risk, there s risks in pretty near everything a body does in this world. There s risks in people s having children of their own if it comes to that--they don t always turn out well. And then Nova Scotia is right close to the Island. It isn t as if we were getting him from England or the States. He can t be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don t say I didn t warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we re not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I d never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, SHE wouldn t shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell s and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla s relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel s pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I m sorry for that poor young one and no mistake. Matthew and Marilla don t know anything about children and they ll expect him to be wiser and steadier that his own grandfather, if so be s he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there s never been one there, for Matthew and Marilla were grown up when the new house was built--if they ever WERE children, which is hard to believe when one looks at them. I wouldn t be in that orphan s shoes for anything. My, but I pity him, that s what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. UP CHAPTER II 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 33 11 (Tue)
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http //www.gamespot.com/pc/strategy/companyofheroes/hints.html Company of Heroes Cheat CodesCodes While in-game, hold CTRL + SHIFT + TILDE(~) or CTRL + SHIFT + @ to open the console, and enter any of the following codes NOTE Must press CTRL + SHIFT + TILDE(~) again to close the console. Cheat Effect FOW_Toggle Toggles Fog of War on/off ee_bigheadmode(1/0) Big Head Mode. 1 for on, 0 for off. setsimrate number Set game speed (default is 8) taskbar_hide Hide taskbar taskbar_show Show taskbar restart Restart game abortgame Quit game statgraph() Enable "statgraph_channel" codes statgraph_channel("fps") Display frames per second
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Code Geass 15. Cheering Mao In this world, evil can arise from the best intentions. And there is good which can come from evil intentions. How then should Lelouch s actions be taken? Every man has his day of judgment, does he not? Geass he who uses this inhuman power will find his hearts isolated, whether he wants it that way or not. Thus he plummets into the abyss that lies between good and evil. But if a man can climb out of that abyss into the light, then that man has the soul of a king. Lelouch All right. First I just wanna confirm this. Are you my enemy or my ally? C.C. Where s this coming from? Lelouch Mao s geass lets him give right in the someone s head and hear what he was thinking and planning. I ve got that right, don t I? C.C. Yes, the way Geass manifests is different for each person. If Mao concentrates, he can hear thoughts up to 500 meters away and he can read clear down to your subconscious if he wants to. For someone like you, who fights for his head, he s the worst possible enemy. Lelouch 500 meters... Well it doesn t really come as a surprise to me. I knew there must be others who have the power of Geass. Did you make a contract with him? C.C. 11 years ago. Lelouch So he s my predecessor. Is there some reason that this forerunner is also my enemy? C.C. Mao s after me. He may be your enemy, but he s not targeting you. Lelouch Yeah, well, I can see that. He could have reveal my true identity and told the police or the military who I am, but the only one he told was Shirley. Are there limits to his powers? C.C. Mao s geass is very potent. He can use it as many times as he wants and he doesn t need direct eye contact like you do. Lelouch Does he have any weaknesses? C.C. If you press me, I guess it s that he can t turn his power off. In a crowd he hears all the minds roiling and writhing around him, whether he wants to or not. C.C. Don t worry Mao. I m not going to die. Mao! Mao! Are you awake Mao? Oh Mao, How silly ... Mao C.C. I can t live without you. Wait for me. I m coming to you. Lelouch If Mao read my mind, then he already knows my weak points and that s where he’ll strike. Nunnally It s been a long time since we spent time by ourselves huh? Lelouch You know even Sayoko needs a little time off now and again. Starting today, I ll be staying home for a while. Nunnally Lately, you ve been out of the house so much I was curious. Have you found some really fun game to play or something? Lelouch Sort of. My current opponent is pretty hard to beat. Nunnally That s funny. Only our big brother Schneizel, would ever make you say something like that. Man Sorry, but I can t sell you one without a permit. It s illegal. Besides, you re from the Chinese Federation, aren t you? Mao Ah.. true. But you sell them to the Black Knights last Tuesday 2300 hours. Your contact was named Wolf, an alias, of course. Man Who are you? Mao You will kindly accommodate me, won t you now? Lelouch And? C.C. I know that you want to protect your sister and all, but you can t just sit around here and wait for him. Lelouch I ve got the Black Knights hunting for him. C.C. What if he s not in the ghetto like you think? What if he s right here in the Tokyo settlement? Then you ve wasted all that precious time. You could just use me as bait. I m Mao s target, so I should be... Lelouch Tell me, if I keep using my Geass, will I become like him? Or did he end up the way he is because he didn t fulfill his contract with you? C.C. The more you use your Geass, the more powerful it becomes. Those who cannot control the power are ultimately ravaged and consumed by it. Lelouch And even though you know everything about that, you still offered these contracts? To me, and Mao? C.C. That s right. Lelouch You re a cruel girl. I don t know why anyone would chase after you. Mao couldn’t fulfill his contract with you, so you cut him loose. What were the terms of the contract? You re a monster. Why didn t you finish him when you cut him off. You should ve taken his power back, or taken his life. Because you left things half-finished, Shirley was... C.C. We should split up while we re dealing with Mao. Starting today, I ll stay in the next hall. Lelouch You can t. The student council and the cultural clubs meet there. C.C. I don t care about that. You work it out. Suzaku A medical checkup? Cecile Just regulations. It s required for all Knightmare pilots. Suzaku I understand. Cecile Good, tomorrow then, after your school gets out. Suzaku Right, thanks. Oh, Miss Cecile, do you know of any way I can get in to see princess Euphemia? Cecile Huh? You want to meet her? Lloyd Forget it, You have to be at least a Knight of Honor to get an audience with her. Cecile But an earl could arrange it, if you really want it to. Lloyd Who? me? Cecile Yes! Suzaku Huh? Lloyd! You are an earl? You never told me that. Lloyd Ha-ha, Oh, I m so embarrassed. Cecile The prodigal son of nobles. He can t really separate work from play. Suzaku Wow... Lelouch You know, It will just be for a few days. If you can keep the club house off limits. That would really help out. Milly Well, It s not like I can t do it. but... Say, did someone find out you re a prince? Lelouch Hopefully, that secret is still safe. Only the Ashford family knows that I m still here and still alive. Milly The all-knowing Ashfords. Lelouch Is something wrong? Milly Oh Lelouch, they ve got another blind date set up for me. I may not be able to wriggle out of this one. What do you think I should do about it? Lelouch Well, that is... Shirley Madam President! Milly Shirley, were you back at morning practice? Shirley Yeah, just started again today. It can t stay sad forever. Milly I should take lessons from you on positive thinking. Shirley What are you talking about? You are way more... Huh? Are you the boy from...? Did you go to school here, too? Milly Are you putting me on!? Lelouch We re in the same classes. Shirley Huh? No, I don t think we are! Huh... Are we? Lelouch Please, that s enough now. Girls Shirley, we re ready to start. Shirley I ll be right there. See you later, prez. Milly What was that about? Lelouch We... had a little fight. Milly So, she is kind strangers? Oh, that is so cute. Lelouch Sorry, but could you play along with us till she gets over it, you know? Milly I guess I could. Think it ll take long? Lelouch Yes, I m afraid so. C.C. I m not looking for a Refrain dealer. I said a Chinese guy named Mao. Did you here me? Man Believe me, I have no idea. The only Chinese around xxx push xxx is gang labor Go ask cops or something. C.C. I don’t like cops. Man Then ask the Black Knights about him. They are all of the underworld. They wire into the settlement and the ghettos. C.C. Everyone tells me the same thing. Man ‘Cause it’s obvious. Shirley Huh? That’s strange. Where is it? Girl What’s matter, Shirley? What are you looking for? Shirley My diary. It’s gone. I can’t find it anywhere. Hah, Did you take it somewhere? Girl Of course not. Inoue Right, I’m sorry, Zero. We haven’t found this Mao guy yet. Lelouch I see. Inoue Should we check our contacts in the Kyoto network? Lelouch No, just stay with Kanto block. If you come up any leads, let me know. Inoue Yes, we’ll do. Lelouch All right. I’ll get back to you. If I get within 500 meters of Mao, he can read my mind. That’s what he wants. But knowing that, I should be able to guess his next move. I could put him in check if I had just one... C.C. Missing piece? You and I are thinking exactly the same thing. Lelouch So it seems... C.C. Then we should work together on this, don t you agree? Lelouch I do. RRRRRRRRR Lelouch Yes? Mao It s me, Lulu. C.C. s there, too, isn t she? I wanna talk to her alone. Put her on. Villetta Ah... Ohgi Are you waking up now? Villetta Yes... Ohgi What were you doing in that place, passed out like that? What you’re name? Villetta I am... My name is.. What is my name...? Ohgi You don’t remember? What about Zero? You are talking about him before? Villetta Who’s Zero? Ohgi Ah... What am I doing? I practically betray him and why... Villetta But I don’t know anything. Oh, nothing at all. Ohgi Sorry I was able to undress you with my eye closed. But getting clothes back on wasn’t so... But I turned up heat, so I thought you’d be all right. Villetta Hmm. Thank goodness. Ohgi Ah...? Villetta Anyone could have picked me up out there, but I got someone nice. Ohgi Hah...? C.C. You should be happy about this, Lelouch. We re finally going our separate ways. I made up with Mao. Lelouch You re betraying me? C.C. Are you actually saying that? When were you my friend? Never. We were just co-conspirators, that s all. Lelouch Wait. C.C. Wow, here s a surprise. You sound just like Mao. Lelouch C.C., you know way too much about me now. I can t let you walk away like this. Don t go! C.C., stay here with me! C.C. Geass does not work on me. Didn t I mention that? Don t worry. I won t tell anyone about you. You can keep your Geass, too. And Mao won t bother you anymore. He ll never cross your path. So all your obstacles are gone. Congratulations and farewell. Doctor The test results came out fine, though you seems to pay extreme attention to discipline and to weighing the value of human life. Suzaku Is that going to cause problems? Doctor These are the positive traits for a soldier. Do you think subconsciously you are comparing yourself to your father? That may be the underlying cause of your insecurity. It’s quite common in the children of famous people. Your father Genbu Kururugi, the former prime minister of Japan. He was a great man. Chiba Urabe and others are late. Asahina Well this sure is an ironic meeting place, isn’t it? The grave of Prime Minister Kururugi? Chiba The traitor who told us to fight to the end, then commit suicide himself. Todo Enough! General Katase also committed suicide and he was a true patriot. Britannia force Fugitive Todo, identified. All unit, prepared to move in. Yes, my load. Lelouch Yes, I’ve read through your proposal for reorganizing the Black Knights. I’ve got a few changes, but overall I like where you re going with this. I’ll run it by Ohgi tomorrow. Diethald Thanks. I appreciate that. Lelouch Next draft, I’d like you to insert a chart that forecasts how the cells-base structure will be implemented. That’s all. Diethald So that was the final test. I guess I passed. Lelouch Diethald, though he’s Britannian, he’s proving even more useful than I’d hoped. Still he could be a spy. I can’t rule that out yet. Um.. Right, he recorded it then. Mao C.C., your mind is so quiet. It s the only one I can t read. You really are the best there is! C.C. As childish as ever, I see. Mao I m a prince on a white stallion, and a prince has to rescue the princess. Does that make you happy, C.C.? C.C. Mao, we talked about this before. I told you that you and I... Mao Those were all lies. Lies. C.C., you love me and this is how I know. C.C. Thank you, Mao. Mao, Mao. Stop it. Mao Be quiet. C.C. Don t listen to them. Just listen to the sound of my voice. That s it. Since my mind is the only one you can t read, and you can only be happy when you re with me. I ll stay with you always. Yes, I m right here. So you don t need to worry. Mao C.C., you re the only one! The only one I want forever. Lelouch doesn t matter at all. If you just come with me... C.C. Stop it! I should’ve done this a long long time ago. Mao It s me C.C. C.C. Mao. Mao I ll be at Clovis Land. Come alone. C.C. You re selfish as ever, I see. Mao If you don t come, I ll just have to tell the police who Lelouch really is. I can have him eliminated anytime I want. C.C. You should be happy about this, Lelouch. We re finally going our separate ways. Lelouch She comes and goes like the wind. I can t read her. I can t fathom how such a twisted girl thinks. Idiot! Mao I knew it. I knew you couldn t pull the trigger. That s cause you really love me, C.C! C.C. You re wrong! I was just using you right from the start. Mao What are you saying? You shouldn t tell lies like that. You really shouldn t. Lies are very very wicked. Wicked lies! Don t worry... I understand... C.C. you must listen to me. I ve build a big brand-new house in Australia, a very quiet, white, immaculate special house. But to get to Australia, you ll need to take in airplane and there isn t very much room. The thing is, C.C., you re a little too big to bring on a plane. So that s why..., I m going to make you compact. It’ll take little time at all. C.C. Is this your revenge? You re punishing me? Mao Oh, no, I m not. I m not, I m not, I m not at all. I m showing you my gratitude. Lelouch So this is the place that you picked. A place where there d be no one else’s thoughts to bother you. That narrowed it way down. Mao Lelouch Lelouch Since your Geass has the total maximum range of 500 meters. It can t reach me here at Tokyo Tower. Mao That s true. That s very true. But what can you do from so far away, hmm? After taking all that trouble to hack into the system, what s your grand plan? A remote-control attack with some battery-operated toys, or a tongue-lashing to lecture me into submission? Ah, cat got your tongue now? If you want C.C., then you re gonna have to come ... Lelouch Mao, think! You don t believe C.C. is her real name, do you? She never even whispers it to anyone. Mao Huh? Lelouch But I know it, though. She told me her true name. Mao Is that right, C.C.? You never told me, ever ever. But you told it to him? Lelouch You know why? Because C.C. is mine. C.C. belongs to me in every possible way. Mao No. She doesn t. She doesn t. She doesn t. She doesn t. She was mine long before she met you. Lelouch I have gained every single thing from her, including all of the part that you have never seen, all of them... Mao Lelouch... Face me! Lelouch, Come here. Come here. I can look into your mind. I ll see the truth. I ll see what a liar you are. Liar. Lelouch Mao, you’ve lost. Mao What are you talking about? I won’t care . I’m gonna be with C.C. Is that Lelouch? But he’s too far away. Sounds... everywhere... all those voices. Police Hold it right there. Drop the weapon and surrender! Mao What are they doing here? Police Remain where you are! Drop out your weapon and raise your hands. Mao It’s the police. Who contacted them? C.C. Lelouch, what are you doing here? Mao It can t be. He was just at Tokyo tower. He can t be here now. Lelouch Are you that slow? That was all a recording. Mao That s a lie. You, you were talking to me, answering me. Lelouch Your thoughts are simple. Since you read minds, you ve never resorted to cunning. Mao You predicted every one of answers? Don t play game with me, punk! If the cop arrests me, I’ll be back out in a heartbeat! Mao Shut up. Just stop talking me! Lelouch C.C. told me you can t turn off your Geass. And your reach is erratic. If you don t concentrate, your range gets very short. Mao So do you used the monitor to keep me distracted? Even so, I can still defeat you. I ll have you ruined. Lelouch The moment you try is the moment you die. C.C. Lelouch, wait. If I talk to him. I can get through. Mao You think I ll die? Listen, cops. You know who that guy is? He s the terrorist you want. He.... Police Fire!! C.C Oh, Mao... Mao Zero... C.C. Mao was only six years old when I made my contract with him. He was an orphan who d never known the love of the parent. He couldn t read or write and knew nothing of good and evil. Police This is Echo-3. I ve released the hostage into the ghetto as ordered. What? Your orders were to take her into the hospital. C.C. When I gave the geass power to Mao, it isolated him. In his mind, I became his only friend and his lover, though I was still a perfect stranger. I m the only one he even thought of as human. I was Mao s entire world. Lelouch C.C., listen to me. I won t let Geass destroy me. And I will conquer its power and bend it to my will, and use it to change the world. I ll fulfill your desire and my own. Then I will complete the contract that he couldn t achieve. So please... C.C. Lelouch, tell me. Are you trying to comfort me? Pity me? Or is this part of your obsession? Lelouch It s a contract. This time, it s from me to you. C.C. Very well then. I accept your contract. Next Episode Now is the time to move forward to smash Cornelia and get the truth, and make a place for Nunnally in this world. These tiny battle fields are meaningless now. We are taking over the Tokyo settlement. We’ll expand our military might and extend our contacts. I’ll use every piece in the game.
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Concise Encyclopedia Biochemistry and Molecular Biology Walter De Gruyter Inc? E. Ian Mercer? Thomas A. Scott? WalterDeGruyterInc? E.IanMercer? ThomasA.Scott? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Asymptotic Methods for Elastic Structures Proceedings of the International Conference, Lisbon, Portugal, October 4-8, 1993 Walter De Gruyter Inc? Philippe G. Ciarlet? Luis Trabucho? Juan M. Viano? WalterDeGruyterInc? PhilippeG.Ciarlet? LuisTrabucho? 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基礎知識 ソースからインストール RCS 基本的な設定ファイル変更 HTTPS接続 基礎知識 名前 表示名 モジュールのON/OFF メリット 組み込み方法 静的モジュール static 再インストール モジュールの読み込みにかかる負荷が小さい 再インストール 動的モジュール(DSO) shared 設定ファイルで変更可 比較的簡単にモジュールを組み込める apxsコマンド ソースからインストール 作業用ディレクトリの作成 [root@localhost ~]# mkdir -p /usr/local/setup ;cd /usr/local/setup ;mkdir archive make ダウンロード [root@localhost setup]# cd /usr/local/setup/archive [root@localhost archive]# wget http //www.eu.apache.org/dist/httpd/httpd-2.2.15.tar.gz [root@localhost archive]# md5sum httpd-2.2.15.tar.gz 31fa022dc3c0908c6eaafe73c81c65df httpd-2.2.15.tar.gz [root@localhost make]# cd ../make/ [root@localhost make]# tar -zxvf ../archive/httpd-2.2.15.tar.gz 必要パッケージ sslで停止してしまうのでopenssl-develをインストール [root@localhost httpd-2.2.15]# yum install openssl-devel -y configure error ...No recognized SSL/TLS toolkit detected インストール [root@localhost httpd-2.2.15]# cd ../make/httpd-2.2.15/ ./configure \ --prefix=/usr/local/apache \ --enable-so \ --enable-proxy \ --enable-proxy-ajp \ --enable-proxy-balancer \ --enable-dav \ --enable-dav_fs \ --enable-dav-lock \ --enable-rewrite \ --enable-ssl 2 1 |tee configure_100429.log モジュール名 説明 URL --enable-so DSOモジュールの有効 --config-cache configureは実行した際にconfig.cacheファイルを作成。再度configureする際、このconfig.cacheを再利用する。 http //d.hatena.ne.jp/ampmmn/20081123/1227423981 --enable-proxy プロキシ機能 --enable-proxy-ajp TomcatをApache連携させる際に使うプロトコル(AJP) http //d.hatena.ne.jp/keyword/AJP --enable-proxy-balancer ロードバランス機能 http //www.atmarkit.co.jp/flinux/special/apache22/apache03.html --enable-dav webDAVで使用 http //honana.com/apache/22/install.html --enable-dav_fs webDAVで使用 --enable-dav-lock webDAVで使用 --enable-vhost-alias バーチャルホスト [root@localhost httpd-2.2.15]# make 2 1 |tee make_100429.log [root@localhost httpd-2.2.15]# make install 2 1 |tee make_100429_install.log モジュールの確認 [root@localhost local]# /usr/local/apache/bin/httpd -M [root@localhost local]# /usr/local/apache/bin/httpd -l -M→静的・動的モジュール表示 -l→静的モジュールのみ表示 起動 [root@localhost ~]# /usr/local/apache/bin/apachectl start 起動確認 [root@localhost ~]# ps aux|grep httpd 自動起動 [root@localhost ~]# cp /usr/local/setup/make/httpd-2.2.15/build/rpm/httpd.init /etc/rc.d/init.d/httpd [root@localhost ~]# vi /etc/rc.d/init.d/httpd httpd=${HTTPD-/usr/local/apache/bin/httpd} CONFFILE=/usr/local/apache/bin/conf/httpd.conf pidfile=${PIDFILE-/usr/local/apache/log/httpd.pid} [root@localhost ~]# chkconfig --add httpd [root@localhost ~]# chkconfig httpd on ブラウザで接続確認 http //192.168.1.104/ RCS [root@localhost conf]# cd /usr/local/apache/conf/ [root@localhost conf]# mkdir RCS [root@localhost conf]# ci httpd.conf [root@localhost conf]# co -u -l httpd.conf 基本的な設定ファイル変更 apacheユーザ作成 [root@localhost ~]# useradd apache -M -s /sbin/nologin 設定ファイル 番号は目安です。 [root@localhost ~]# vi /usr/local/apache/conf/httpd.conf ※全てのインターフェースから指定したポート番号のリクエストを受け付けます。 40 Listen 80 ※ServerNameについて(リダイレクト時に使用) http //www.atmarkit.co.jp/flinux/rensai/apache05/apache05b.html 89 ServerAdmin water1987@live.jp 99 ServerName water0.dip.jp 80 ※ドキュメントルート変更 107 DocumentRoot "/var/www" ※ドキュメントルート変更のため"/usr/local/apache/htdocs"のディレクティブをコメントアウト 134 # Directory "/usr/local/apache/htdocs" ※新ドキュメントルート用に追加 164 Directory "/var/www" 165 Options FollowSymLinks 166 AllowOverride None 167 Order allow,deny 168 Allow from all 169 /Directory ※cgi関連はコメントアウト 252 # ScriptAlias /cgi-bin/ "/usr/local/apache/cgi-bin/" 257 # 258 # ScriptSock On threaded servers, designate the path to the UNIX 259 # socket used to communicate with the CGI daemon of mod_cgid. 260 # 261 #Scriptsock logs/cgisock 386 Include conf/extra/httpd-info.conf server-statusに対してローカルアドレスを許可 [root@localhost ~]# vi /usr/local/apache/conf/extra/httpd-info.conf Allow from 192.168.1.0/24 ※/server-infoはmod_info.cを組み込んでいないのですべてコメントアウト ドキュメントルートのディレクトリ作成 [root@water0 ~]# chown apache apache /var/www/ [root@water0 ~]# chmod 777 /var/www/ 確認 http //192.168.1.104/ HTTPS接続 自己署名証明書を使用する [root@localhost ~]# cd /usr/local/apache/conf/ 秘密鍵を生成 [root@localhost conf]# openssl genrsa -des3 1024 server_pass.key Generating RSA private key, 1024 bit long modulus ...++++++ .++++++ e is 65537 (0x10001) Enter pass phrase Verifying - Enter pass phrase パスフレーズを抜く [root@localhost conf]# openssl rsa -in server_pass.key -out server.key Enter pass phrase for server_pass.key writing RSA key CSRファイル作成 認証局(CA)からデジタル証明書を発行してもらうときに必要 [root@localhost conf]# openssl req -new -key server.key server.csr You are about to be asked to enter information that will be incorporated into your certificate request. What you are about to enter is what is called a Distinguished Name or a DN. There are quite a few fields but you can leave some blank For some fields there will be a default value, If you enter . , the field will be left blank. ----- Country Name (2 letter code) [GB] JP State or Province Name (full name) [Berkshire] TOKYO Locality Name (eg, city) [Newbury] SETAGAYA-KU Organization Name (eg, company) [My Company Ltd] water0 Organizational Unit Name (eg, section) [] water0-team Common Name (eg, your name or your server s hostname) [] water0.dip.jp Email Address [] water1987@live.jp Please enter the following extra attributes to be sent with your certificate request A challenge password [] An optional company name [] デジタル証明書の作成 本当はCAがする処理。実際に行うとお金と手間がかかります。 [root@localhost conf]# openssl x509 -in server.csr -days 1000 -req -signkey server.key server.crt Signature ok subject=/C=JP/ST=TOKYO/L=SETAGAYA-KU/O=water0/OU=water0-team/CN=water0.dip.jp/emailAddress=water1987@live.jp Getting Private key 確認 参考 http //chinmai.net/~osakana/tech-memo/wiki.cgi?page=OpenSSL+CSR%2C+%BE%DA%CC%C0%BD%F1%A4%CA%A4%C9%B3%CE%C7%A7%A5%B3%A5%DE%A5%F3%A5%C9 apache再起動 アクセス確認 https //192.168.1.104/ ※WiresharkなどでHTTPS通信しているか確認 参考 http //www.wireshark.org/download.html ※ルータの設定で外部からの通信80と443を空けておく。 ※携帯電話を使用すると外部からの通信が確認できる。 名前 コメント あまりにも静的モジュールが多いので取捨選択する。
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第１幕 アルヴィアーノ・サルヴァーゴの館の天井の高い大広間。午前。 第１場 アルヴィアーノ、グイドバルド、メナルド、ミケロット、ゴンザルヴォ、ユリアン、パオロ。 アルヴィアーノ 30歳くらいの醜い男、背が曲がり、ぎょろ目で、早口に。 やめろ！ もういい！ もう何も聞きたくない！ 気分が悪くなる ひどい話だ！ しかし、もともと思いついたのはこのボクだ、 夜な夜な考えをめぐらせた 夜な夜な、ああ！ 君たちには想像できないだろう！ 君たちには遊びにすぎない 刺激のきいた遊び、でなけりゃ何だ 人生というやつは 君たちには喜んで与えてくれるのに。 でもボクには！ 渇望してボクには！ ボクは様々な苦悩に 嘲られ、つきまとわれ、苛まれ 憔悴しているのに、ああ 短く、鋭く 畜生、なぜ自然は この醜悪な顔、 このコブのある背中を持ったボクに、 これほどの感情、これほどの情熱を与えたのか メナルド 囁くように お願いだから、静かに！ 秩序の番人（おまわり）が起きている 野心たっぷりで。 ドアの向こうで聞き耳を立てているのは 買収された、召使たち。 庭に隠れているのは 権力の手先たち ゴンザルヴォ 大げさすぎるよ、君は。 余りに小心翼々とするのも 確かによくない。 メナルド ボクたちは、田舎娘や 女中や、町人の娘や 商売女では満足しない、 ボクたちは一番優雅で 一番美しいのを探し出す それがボクたちの趣味というものだ パオロ 何週間か前に 君がボクたちに言った あのスローガンはなんていってる？ “一番の美女は一番の強者の獲物！ 地上のあらゆる栄華は 精神の力に 屈する、そして 征服する者の栄光は ただ目をくらますだけの煌めきよりも、 いっそう明るく輝き、 より深く、傷つけながら、 魂の奥に入り込む！” 全員 口々に まさにその通り！ 君はそう言った。 だが、それ以降は？ 自分が創ったものを、 君は避けてる！ボクたちから逃げてる！ あの秘密の饗宴に君はまだ 一度も姿を見せていない！ ゴンザルヴォ それは娘をさらわれた父親たちが 絶望しているからか メナルド そして母親たちが 悲嘆にくれてすすり泣いているからか！ グイドバルド 考えるな、 さらわれた美女たちが ゴンザルヴォ ボクらを恨んでいるなどと！ ミケロット 昨日、アリッサは、 あの小柄なユダヤ娘は 何て目をしたことか！ あのビパレッロの 魅力的な娘は ユリアン あの詩人の娘、実に 彼女は愛らしい！ 全員 口々に、我を忘れて 毎日の生活に疲れ果てた 恋人の腕から ボクたちは彼女を奪い取る！ 愛の技巧に 未熟な夫に、 “理解されない”女は 涙を流したりはしない！ 狭い部屋から 松明に照らされ 芳香のただよう 広い神秘の場所に！ おとぎ話がすべて現実になる！ 夜ごと口に出さずにいた夢が 慄きから生まれた オリエントの夢が すべて叶うのだ！ どの女も口には出さず、 待ち焦がれていた夢が突然 現実になったのだ！ アルヴィアーノ 圧倒されて、少し自嘲的に、辛辣な表現で その通り、その通り！ それには納得できる。 しかしながら、ひとつ 済まないが、気にそぐわない、 いつも君たちの話すのは 自分たちのこと、自分たちのことばかり 君たちは見かけがよく、優雅さも 持ち合わせている、そしてボクのことは、 この不具者のことは忘れている。 君たちの望む通りに そいつが饗宴に行ったら、 君たちを不快にしてしまう 快楽の代わりに 戦慄が入り込んでくる！ パオロ 買いかぶりすぎだよ、君は ボクにはそう思える 女たちの美的感覚はすごい。 アルヴィアーノ 自制して 春の夜のことだった。 開け放たれた窓から むせかえるような魔力が 舞い込んできた、重苦しくて くらくらするような花の香り。 ボクは、熱に浮かされて 外に出ずにはいられなかった 寂しい小道へ。そして娼婦を探した 落ちぶれた娼婦に声をかけ 黄金を見せた たくさんの黄金を、だが 自分を、まるで施しを求める 乞食のように感じた。 街灯の陰で 彼女はボクの 惨めな姿をじろじろ見た、 一目で、屈辱的な 微笑を浮かべ、 ボクは血の凍る思いがした。 その時、黄金が効いた！ 紅をつけた唇に 黄金の輝きが反射した、 あらゆるボクの悲惨さの中で 恐ろしく困窮しているもの、淫猥な 言葉が女の承諾を保証してくれた でもボクには力がなかった、 自分に唾を吐きかける力も 春の夜を冒涜する力も。 - - - - - 召使 来客を伝える ご主人様、公証人が メナルド、ユリアン、ゴンザルヴォ 狼狽して おい、アルヴィアーノ 君はいったい 公証人が何で？ アルヴィアーノ 寂しそうに微笑みながら 心配するな！ 召使に 少し待ってほしいと 伝えてくれ！ 全員 アルヴィアーノに詰め寄り 何を、何をもくろんでいるんだ？ アルヴィアーノ 落着いて 君たちに打ち明けるのを 忘れてた 初めは途切れ途切れの調子で ボクの島“エリジウム（楽園）”を、 すべての建築物や、 いろいろの水の仕掛け いくつものきらびやかな庭園、 見たこともない 驚くべき芸術と 自然が恵んでくれた 珍しい宝物も全部 この市に 永遠に 寄贈するんだ。 皆を呆れさせる。 パオロ 思わず口に出る 気でも狂ったのか！ グイドバルド 自分のしていることが、分かってるか！ メナルド 君の人生をかけた仕事だぞ！ ミケロット 君の財産の半分を それに費やしたんだ、 それに惜しみなく浪費したんだ アルヴィアーノ 明日の晩、日が暮れたら 参事会員や 市長の列席のもとで、 ボクはにぎにぎしく すべての市民にそれを寄贈する。 君たちも、出席してくれ。 パオロ ああ、しかし、おい、忘れたのか だって アルヴィアーノ すべて熟慮した上だ。 メナルド 君はボクたちを裏切るんだ。 ユリアン しつこく あの地下室への通路は アルヴィアーノ 意味ありげに 発見されるのが怖いなら 今後は近寄るな。 だが、今は、これで失礼！ 参事会の方々と約束がある それに公証人の立ち合いで ボクには寄贈の文言、 項目を作成する義務がある。 去る。 第２場 グイドバルド 何とかしなければ。 ミケロット ヴィテロッツォはどこだ？ パオロ このバカのアルヴィアーノめ！ ゴンザルヴォ ボクたちの計画はすべて 立派に大胆に考え抜かれたものなのに ユリアン ボクの可愛いジネーブラ！ 思い焦がれて病気になりそうだ。 あのピエトロの奴はいったい 何をぐずぐずしているのか、 どんな悪巧みがあるのか メナルド 危険な奴だ！ だが、上手く使えば、 如才ないし、抜け目ない。 パオロ ボクの疑いは確かだ。 あの悪党は ボクらが花を手折る前に 厚かましくも手をかけている ミケロット いまいましい、君が考えてるのは パオロ 自分が何を言ってるかは、分かってる。 外から声が聞こえてくる。 ユリアン タマーレじゃないか？ 全員 おーい！ ヴィテロッツォ！ 第３場 タマーレが大急ぎで駆け込んでくる。 タマーレ 遅くなった。 グイドバルド 何かあるな！ ゴンザルヴォ 息せき切って！ タマーレ 大げさに 友よ 全員 どうした？ タマーレ どうしたらいいのか メナルド いったい何があった？ タマーレ メロメロだ ユリアン おや、まあ！ メナルド かわいそうに！ タマーレ なんたる美しさ グイドバルド ああ！ パオロ そんなことだと思った！ タマーレ あれこそ女だ！ パオロ 当然！ タマーレ 熱狂的に 違うんだ グイドバルド 女神様！ ミケロット 天使！ ユリアン 一輪の花！ メナルド 分かってるよ！ ゴンザルヴォ 静かにしろ！ タマーレ 憤慨して、身振りで - - - - - - - メナルド ボクたちは全部 分かってる グイドバルド もっと大事なことがある。 タマーレ 激怒して 誰だ、そんなことを言うのは？ 君たちに何が分かるんだ パオロ それならピエトロと話をしろ！ タマーレ 本気で あのごろつきの名前を言うな！ 君たちはあの神々しい 彼女の名を汚してる。 ミケロット その女の名は？ タマーレ ああ、知っていたら！ だが、知っていても 君たちには 隠しておく、 君たち、娘泥棒には！ 全員 唖然として、口々に 何だって？ 君だって必要だろ！ 特上のが！ パオロ その美人をどこで見たんだ？ タマーレ 市役所を 馬で通りかかった時、 宴会だか祝祭だかに 市の長老たちが 金色の馬車に分乗して 向かっているところだった メナルド 他の者たちに だとさ、どう思う タマーレ 同じ馬車の中にいたんだ 聴けよ！ ゴンザルヴォ 運命の赤い糸 召使 来客を伝える 参事会の方々と 市長様が！ タマーレ 唖然として 畜生、またか！ ユリアン 笑いながら それはいい具合に！ 第４場 片側から市長と参事会員たち、並びに市長の妻とカルロッタ、 もう一方からアルヴィアーノと公証人が登場。 アルヴィアーノ ようこそ、皆様、 粗末な我が家に ご来賓賜り 感謝いたします。 市長 心から 粗末な家だなどと！ サルヴァーゴ殿、 余りにご謙遜です。 我々が通って参りました 幾つもの部屋の豪華さは 本当にジェノヴァで 並ぶものがありません。 アルヴィアーノ お褒め頂き光栄に存じます 失礼ながら申し上げます 紹介しながら ここにおりますのは 我が友人たち ジェノヴァの花形の騎士たち その額からは 高貴な家系の名が 読みとれます 市長 お辞儀をし、それから ここにおりますのは 我が妻と子、 愛しい娘の カルロッタです 内密に 恐れながら, 貴方様は娘を余りに奔放だと 思われるかもしれません、 娘は社会の規範というものを 軽んじています。 貴方様の寛大さに おすがりして にやにや笑いながら 娘が 折り入って貴方様に ひとつお願いがあると アルヴィアーノ 当惑しないでもなく 奥様、お嬢様 ようこそお越しくださいました お嬢様の望みを 叶えることが 私にできるなら 幸甚に存じます！ 市長 それはそうと よろしければ 参事会員たちを指しながら 参事会から 全権委任されまして、 貴方様に感謝の念と 高貴な参事会の 喜ばしい驚きをお伝え申し上げます。 貴方様の昨日のお手紙は かくも大きく、意味深い寄贈を 知らせてくれました。 かくも思いがけず 近頃では稀なことです。 市民は乏しい財産を守ることに 窮しております 苦労して稼いだ黄金が 市民の手から 消えていくのです、 税金や重荷はそれ以上に のしかかってきます。 我々はそれを耐えてきました、 大抵は辛抱して たまにはぶつぶつ言いながらも。 それでも我々には神聖な家族と マリア様への信仰が 宝物としてありました。 けれどそこに突然起こったのです 家畜の群に狼が襲いかかるように、 我々から女たちを奪うのです、 破廉恥にも我々から娘たちをさらうのです。 そして私たちは力なく、途方に暮れて 思い直して どうかお許しください、 この数週間、恥辱に苛まれ 胸がいっぱいになって、 嬉しいことをすぐに忘れ 不幸せなことを思い出すのです。 我々の心配事を 貴方様に嘆くのは、本当は 我々が参りました目的ではありません。 不安な毎日の後の 初めての光明に 我々は貴方様に感謝いたします！ 幸運を告げるその島の名前を、 我々は良い前兆と 受け取ります。 声高らかに では、正義と 所有の権利を 与えてくれる その力にすがって 参事会員１ 市長殿、 お考え頂きたいことがあります。 いろいろ言う人がいまして 参事会員２ 少し躊躇しながら 体裁を整え 契約を結ぶために我々は アドルノ公爵の 同意が必要かと 市長 ああ、しまった 忘れるところだった！ アルヴィアーノを脇に連れて行き、声をひそめて アルヴィアーノ殿 ミケロット 貴族たちに この話はまだ まとまらないように 思われる 貴族たちは脇に固まって、熱心に小声で相談する。 タマーレ カルロッタの傍で 覚えていますか、お嬢さん、 今朝、騎士が一人 黄金の馬車を見た時に 彼の黒馬は避けようとしたけれど 市長 アルヴィアーノの傍で、低い声で アントニオ・アドルノ公爵が 異議申し立ての権利を行使されると 我々は従わねばなりません アルヴィアーノ 同様低い声で、が、ぼんやりして 彼に何ができるというのか タマーレ カルロッタの傍で その騎士はしかし 二つの輝く瞳を見て、 どぎまぎして目がくらみ 馬を制するのを忘れてしまいました カルロッタ 笑いながら 思わず跪いて 美女に慇懃を尽さんばかりだった。 つまりそれは貴方でしたの？ 市長 アドルノ公爵は勇敢なお方ですが、 市民の人気が気がかりで、 悪人ではないけれど、でも嫉妬深くて 非常に虚栄心が強くて ちやほやされるのが好きで、ただ カルロッタ とても楽しかったですわ。 タマーレ 貴女は残酷だ。 もしですよ 私が馬から落ちて 腕か脚を折っていたら カルロッタ 貴方には、私の眼差しは 見る価値がなかったということ？ タマーレ 激しく 貴女のためなら 命を投げ出したって、でも カルロッタ それこそ私の望みだったとしたら？ 貴方はそれほど背が高く それほど力があって強く 私に覆いかぶさらんばかり。 私は背伸びしないと おわかりですこと、貴方の 嘲るように その自信にあふれた 目を見るためには！ 声音を変えて、甘やかされた子供がおねだりするみたいに 貴方が小さくて、身分が低くて、 貧しくて、私よりずっと下で 私の足元に届くところにいるなら タマーレ 陰鬱に 死んだら惨めだ。 カルロッタ でも死んでいて、もの言わない。 私が愛するのは、 愛の報いを求めて奮闘し苦悩し、 身を捧げて苦しむ人。 貴方が死んでしまったりしたら、 そうしたら私の愛は 貴方に何か役に立つの？ タマーレ 荒々しく、突かれたように、極めて不愉快な様子で 貴女はまるで悪魔だ、お嬢様！ その答えは よく考えてみます 意味ありげに それから 明日、お返事します。 行こうとする。 グイドバルド 待て、ヴィテロッツォ、何を急いでるんだ？ 彼らは舞台の奥の方でタマーレを囲んでくってかかる。 メナルド、ユリアン、ゴンザルヴォ、ミケロット、パオロ 口々に 聞いてくれ！ 切羽詰まっている。奴はボクたちを引き渡すんだ、卑しい市民に！ 地下の広間への あの入口！ 阻止しないと- - ! タマーレ 制止されて 後生だから、放してくれ 振り切る グイドバルド しつこく アドルノ公爵と話をしてくれ タマーレ 非常に興奮して 勝手にしろ ボクは手を引く！ メナルド しかし、一言だけでも！ タマーレ 怒って ボクは知らない、知りたくもない 恋してるんだ、ボクは愛してる 分かるか？ くたばれ！ 去る。 市長 アルヴァーノと前方に出て来て ではそのままで！ もう一日延ばしましょう。 参事会はその前に アドルノ公爵の同意を 求めております 召使たちが奥の方の両開きドアを開ける。豪華に食事の準備がされたテーブルのある広間が見える。 そして今晩、貴方は 私のお客人 アルヴァーノ 貴方が今、私のお客人であるのと同様に。 ご来賓の皆様、 私のもてなしを 断ったりなさらないで、 簡単な食事ですが！ 囁いて お嬢様、腕をどうぞ！ 彼は少しはにかんでカルロッタに腕を出す。市長は妻に腕を出す。他の人々もそれに続く。従僕たちは再びドアを閉める。 第5場 マルトゥッチア、ピエトロ。 ピエトロ 激しく言い争いながらも、宥めすかして 可愛いマルトゥッチア！ マルトゥッチア エプロン姿の、激昂したオールドミス やくざ者！ 詐欺師！ 犯罪者！ 放せ！ ピエトロ びっくりして お願いだから、黙ってくれ！ 俺は見つかってはダメなんだ。 お前のご主人、あのちびのかたわ者、 俺はあいつのペストのような 意地悪な目が怖い マルトゥッチア 人でなし！ 嘘つき！ 泥棒！ あんたが 生意気な口をつぐむことなく ご主人様をを侮辱するなら、 こっちだってやるよ、 卑劣漢！ 恥知らず！ 私は夜中じゅう待ってたんだ、 風の中で赤いショールを翻して 空しく朝まで 声を和らげて 上等のハムを 用意してたのに ピエトロ 心動かされて 上等のハムだって だが、俺に何があったか、 お前がまず聞いてくれたら マルトゥッチア 再び怒って、鋭い口調で よりによって今、 家じゅうお客人でいっぱいで、 てんてこ舞いしている時に やって来て ピエトロ ぎょっとして 家じゅうお客人でいっぱい？ 誰だ？ マルトゥッチア 震えあがるんだね、ならず者、お偉い参事会さんだ！ ピエトロ 安心して 参事会だって？ それで貴族たちは？ マルトゥッチア いるよ。 ピエトロ 茫然自失と いるのか！ マルトゥッチア 私ときたらこんな奴とお喋りして 仕事する代わりに ピエトロ 行かなきゃ。 マルトゥッチア へえ！ ピエトロ 切迫して 聞いてくれ、マルトゥッチア 頼みがある。 傍に寄って 困ってるんだ。 この町の あるお上品な御仁に 生命の危険があってな。 ところが俺に目をつけている、 あんまりだと、俺は思うが、 それに加えて数日来 ある女が 俺をつけ回してる マルトゥッチア 何だって？ ピエトロ そう、ご婦人だよ 胸をそらして 貴婦人だ つまりだ、俺じゃなくて 彼女が俺のことを 騎士のメナルドだと 思い込んでるんだ。 マルトゥッチア 睨みつけ、じろじろ見ながら 違うだろ、この厚かましさ！ ピエトロ お前のいう通り、 厚かましい女さ マルトゥッチア 激怒して 違う！ 卑劣漢はあんたよ！ 真似をして “騎士のメナルド！”だって 残忍に笑う ピエトロ 彼女は本当に俺のことを 騎士のメナルドだと 思い込んでいて、 アドルノ公爵に告訴するつもりだ。 それで俺のもとを離れず 俺をほっておいてくれない、 そこで俺が彼女を 市門の外にある俺の家に 閉じ込めたりすれば、 最近、少女誘拐に 目を光らせている警察は、 俺を犯人だと思い、 犯人の一人だと思い、 俺を縛り首にするなんてことが 容易に起こり得る！ マルトゥッチア ひどく驚いて まあ！ ピエトロ そんなことはお前だって望まないだろ。 お前は、俺を愛してるから！ 彼女をお前の所に置いてくれ！ マルトゥッチア 何て？ 誰を？ ピエトロ 彼女はここにいるんだ！ マルトゥッチア あっけにとられ 誰が、どこに？ ピエトロ その女性だよ そのご婦人を、メナルド様のために 保護してくれ、俺は逃げる！ だが、今夜、誓って言うが こっそり人目を忍んで お前の所に行くから 入って来たのとは別のドアから、大急ぎで去る。 マルトゥッチア 途方にくれて 今夜 嘆きながら ああ、あの悪人め！ 私は何をしようとしているのか！ ああ！ 去る 外で彼女の声ともう一人の女の声が混ざり合う。その女は最初、興奮して彼女に話しかけ、その時“アドルノ”の名が聞こえる。それから二人の声は静まり、かすかになり、消える。 第6場 カルロッタ 笑いをかみ殺しながら、広間から出てくる 貴方は見事ですわ、 アルヴィアーノ様、いえ本当に アルヴィアーノ 彼女に続けて もう気分はよくなりましたか？ カルロッタ 笑う、不自然で誇張した笑い アルヴィアーノ びっくりしました 突然、貴女が心臓を押えて 真っ青になったので カルロッタ 息苦しそうに ああ、子供みたい 私なら水の中の魚のように ぴんぴんしてるわ、 ところで私の父が 貴方に何かお願いしませんでした？ アルヴィアーノ ええ、確かに。 カルロッタ そんなに大事なことを 貴方はもう忘れてしまったのですか？ アルヴィアーノ 困惑して いえ、でも カルロッタ でもそうね、大勢の人の前では そうもいかなかった！ 私が目くばせしても、 密かにウィンクしても、 何か私に見せてくれる絵か 珍しい彫刻を お持ちでないかしらという 問いかけも、役に立たないので 私は思いついたのです アルヴィアーノ 驚いて、赤くなって ああ、本当に！ 貴女はボクをバカだと思うでしょう、 世間知らずで、愚鈍で子供じみてる。 でも美しい女性との 付き合いは滅多になく だからそうなったんです 分かります？ カルロッタ 分かります、でも聞いて！ 私は絵を描くんです。本当に、 そんなに驚いて見ないで、 動物とか人物とか、 木とか湖とか、 空とか、光とかを描くんです。 でも私が一番 描きたいのは 静かに 魂です。 アルヴィアーノ できるんですか つまり、うまくいくんですか 魂を描くことが？ カルロッタ できるかどうか、分からない うまくいかなくても いつだって私のせいではない そう思うわ。 モデルを見つけるのが、とても難しいの。 ただ一度だけ、上手くいくように思えた、 絵が生れてきたの、 不思議なくらい見事に、 ただ醜い影が 顎と口もとの間に残るのです、 見て、そこ、私が思案し、 いろいろ工夫しても 何度でも出て来る。 やっと追い払って、 もう大丈夫と思ったのですが、 不意に、その影は悪意をもって 絵筆から滑り出てこびりつく！ その絵を私は放棄しました、 それからはもうやめました でも なまめかしく 貴方を、貴方を私は 描きたいの。 アルヴィアーノ 毒グモに刺されたかのように ボクを？ 冗談でしょう 頭がヘンになったんですか？ 毒気を含んで よろしい！ そういうことですね 前から思っていました 貴女はボクを真面目に見ている 他の人とは違うと。 優しい顔をして、目で誘いかけ 悪魔の心を持った、蛇のような女とは違うと。 でも、たった今も 分かりました、同じ眼差しだと カルロッタ ひどく驚いて とんでもない 正気になってよ！ アルヴィアーノ 鋭く、辛辣に もしかしたら 道化として絵画の中で、 美男美女に混ざって 対照的な効果をあげる、 鈴の付いた帽子を被ってね、 せむしには悪くない 人々の嘲笑の的となり 永遠に姿を残す！ カルロッタ 厳しく お黙りなさい！ 婦人と話をしていることを お忘れなく。失礼ですわ 終りまでお聞きなさい！ アルヴィアーノ 笑いをかみ殺して部屋の隅に腰をおろす カルロッタ あちらに、この町が広がり、 平原が一望できるところに 私は仕事場として 小さな家を持っています。 朝早くまだ通りも 広場もひっそりとして 誰もいない時間に、 早朝の青白い光が ほの暗く柔らかく キャンバスの周りに差し込むとき、 私には一番仕事に適した 時間に思えます。私の家の前を 一本の道が通っています、 高い糸杉の並木がある道 貴方もご存じでしょう、 貴方はときどきそこを歩いていました。 はにかんで背を丸め もの思いに沈んだ様子で 突然、疑い深げに窓をじろじろ見ます、 そのカーテンの後ろに 私が潜んでいることには 気がつかない。 その時、様々な色に変化させながら 日の出の先ぶれをする 妖怪の伝令さながらに 朝もやをたなびかせながら 太陽が深紅に輝いて 昇ったのです。 そして二つ目の奇跡が 起こりました。私は見たのです。 その小さな、みすぼらしい さすらい人が顔を上げるのを。 その痩せぎすの肉体の 筋肉のひとつひとつが引き締まり 両腕を天に伸びるほどに 高く上げました。 そうして彼は太陽に向かって、 輝きの中に進み、 私は、彼が大きく大きく なっていくのを見ました。 その姿は巨人のようになり、 私は心臓がどきどきしました。 そうして私は貴方を描いたのです、 アルヴィアーノ様を。そうして私は 太陽に向かって進んで行く貴方の姿を 描きました。でもまだ顔が 欠けています、そして あらゆる美が映る 陶酔した目もまだ 欠けています。 アルヴィアーノ 震えながら 恥ずかしい 知らなかった、許してください、 こんな気持ちは、人生で今まで 一度もなかった！ カルロッタ 優しく 来ませんか、私の 仕事場に、その絵を 完成するために？ アルヴィアーノ 彼女の手に身を屈めて、静かに 喜んで、参りましょう。 幕がゆっくり降りる。 ERSTER AKT Ein hoher Saal im Palaste des Alviano Salvago. Vormittag. ERSTE SZENE Alviano Salvago, Guidobald Usodimare, Menaldo Negroni, Michelotto Cibo, Gonsalvo Fieschi, Julian Pinelli, Paolo Calvi. ALVIANO hässlicher Mann von ungefähr 30 Jahren, bucklig, grosse leuchtende Augen, hastig. Lasst! - Genug - - ! Ich will nichts mehr hören! Es widert mich an - entsetzt mich - ! Und doch - ich - der s ersonnen, ausgebrütet in Nächten - in Nächten - ah! - Ihr ahnt nicht! Euch ist s ein Spiel - würzend - was sonst das Leben Euch willig bietet. Doch mir - ! Ein Durstender! Einer, nah dem Verschmachten - gehöhnt, gehetzt, geschunden von Qualen die - ah - ! kurz, scharf Teufel, was gab die Natur - mir - mit diefer Fratze und diesem Höcker, solch ein Fühlen, solch eine Gier - MENALDO geflüstert Ich bitte dich - still! Der Ordnung Hüter sind auf - und voll Ehrgeiz. Hinter den Türen lauern - bestochen - die Diener; in den Gärten bergen sich Schergen - - GONSALVO Du übertreibst, mein Freund. Es sind allzutiefe Skrupel fürwahr nicht am Platze - MENALDO Dass wir mit Bauerndirnen und Mägden, Krämertöchtern und Freudenmädchen uns nicht begnügen, dass wir die Feinsten und Schönsten erwählen ist ein Zeichen für unsern Geschmack. PAOLO Wie nur war die Losung, die Du uns gabst vor wenigen Wochen? "Die Schönheit sei Beute des Starken! Alle Pracht der Erde erliege der Macht des Geistes, und des Bezwingenden Glorie strahle heller und dringe tiefer, sehrender in die Seelen, als jener Glanz, der das Auge nur blendet!" ALLE durcheinander Sehr wahr! So sprachst Du. Und seither - ? Was Du schufst, meidest Du! Fliehst uns selbst! Kein s jener heimlichen Feste noch grüsste Dich! GONSALVO Weil ein paar Väter die Hände ringen - MENALDO - und ein paar Mütter herzbrechend schluchzen! GUIDOBALD Glaub nur nicht, dass die Schönen selber - GONSALVO dass sie uns zürnen - ! MICHELOTTO Gestern - Alissa - die kleine Jüdin - hei - was die für Augen machte! Und die reizende Tochter des Biparello - JULIAN - des Dichters, wahrlich - sie war entzückend! ALLE durcheinander, ekstatisch Ihrer Liebsten alltagbeschwerten Armen entreissen wir sie! Dem Gatten, unerfahren in Liebeskünsten, weint keine Träne die "Unverstand ne"! Aus engen Zimmern in weite mystische Räume - - düftegeschwängert von Fackeln durchloht! Alle Märchen werden lebendig! Alle Träume verschwiegener Nächte - Morgenlandsträume von Schauern geboren, gehn in Erfüllung! Was sich keine gesteht, und jede ersehnt - jählings ward s zur Wirklichkeit! ALVIANO gepresst, ein wenig spöttisch und mit herbem Ausdruck Ganz recht - ganz recht! Es ist überzeugend. Jedoch in einem Punkt - verzeiht - stimmt mir s nicht ganz. - Ihr sprecht stets von Euch nur. Von Euch - die ihr wohlgestalt seid, und mit Anmut begabt, - und vergesst mich, - den Krüppel. Käm der zu den Festen, so wie Ihr begehrt - er vergällte sie Euch - und statt der Lust zög das Grausen ein! PAOLO Du überschätzt, mein Freund - so will mir scheinen - gewaltig der Frauen Schönheitsempfinden. ALVIANO verhalten Es gab - Frühlingsnächte. Bei offenen Fenstern tanzt es herein - alle schwülen Zauber - Blumen- geruch, schwer und betäubend. Und ich musste fort, geschüttelt von Fiebern - hinaus in einsame Gassen. Und suchte ein Dirnchen, so recht ein verkomm nes - sprach es an - bot ihr Gold - viel Gold und fühlte mich doch dem Bettler gleich, der Almosen heischt - - -. Im Schein der Laterne mustert sie meine arme Gestalt, mit einem Blick - - einem Lächeln so schmachvoll, dass mir das Blut in den Adern gerann. Da - wirkte das Gold! Auf geschminkten Lippen spiegelt sein Gleissen, all meines Elends furchtbare Not; unflät ge Worte verhiessen Gewähr - - doch mir fehlte die Kraft, mich selbst zu bespei n und zu entweih n die Lenznacht. - - - - - EIN DIENER meldend Gnäd ger Herr - der Notar - MENALDO, JULIAN, GONSALVO bestürzt Mensch - Alviano - Du bist im Stande - Was soll der Notar - ? ALVIANO traurig lächelnd Seid unbesorgt! zum Diener Ich lasse ihn bitten, sich kurze Zeit zu gedulden -! ALLE Alviano bestürmend Was soll s - was hast Du vor? ALVIANO ruhig Ich vergass - es Euch zu vertrau n zuerst stockendenTones Mein Eiland "Elysium", mit all seinen Bauten, Wasserspielen und prangenden Gärten, mit all seinen unerhörten Wundern der Kunst und selt nen Schätzen freigeb ger Natur - zum Geschenk vermacht für ew ge Zeiten - hab ich s der Stadt. Verblüffung. PAOLO ausbrechend Du bist von Sinnen! GUIDOBALD Weisst nicht, was Du tust! MENALDO Das Werk Deines Lebens! MICHELOTTO Dein halbes Vermögen wandtest Du dran, es sorglos verschwendend - ALVIANO Morgen Abend, nach Einbruch der Dämm rung, im Beisein des hohen Senates und des Podestà, mit grossem Gepräng geb ich s preis allem Volk. Ihr Herren, Ihr seid geladen. PAOLO Ja, aber Mensch - vergisst Du denn ganz - ALVIANO Hab alles bedacht. MENALDO Du lieferst uns aus. JULIAN eindringlich Der Zugang zum unterirdischen Saal - ALVIANO mit Bedeutung Scheut Ihr der Entdeckung Gefahr - so meidet ihn künftig; doch jetzt - verzeiht - ! Die Herr n vom Rat erwart ich und mit dem Notar obliegt mir noch festzusetzen der Schenkung Wortlaut und Paragraphe. Ab. ZWEITE SZENE GUIDOBALD Es gilt zu handeln. MICHELOTTO Wo nur Vitelozzo bleibt? PAOLO Dieser Narr Alviano! GONSALVO All uns re Pläne - herrlich und kühn ersonnen - JULIAN Meine süsse Ginevra - ! Krank bin ich vor Sehnsucht. Und dieser Bube Pietro zögert - weiss die Madonna, welch schurkische Gründe ihn - MENALDO Ein gefährlicher Kerl! Doch gut zu brauchen, geschickt und verschlagen. PAOLO Mein Argwohn steht fest Mit frecher Hand streift der Bandit von so mancher Blüte, eh wir sie brechen - MICHELOTTO Verflucht, Du meinst - PAOLO Ich weiss, was ich sage. Stimmen draussen vernehmbar. JULIAN Ist das nicht - Tamare? ALLE Halloh! Vitelozzol DRITTE SZENE Vitelozzo Tamare hastig hereinstürmend. TAMARE Ich bin verspätet. GUIDOBALD Wir merkens! GONSALVO Und ausser Atem! TAMARE überschwänglich Ihr Freunde - ALLE Was gibt s? TAMARE. Ich bin fassungslos - MENALDO Sancta Maria, was ist gescheh n? TAMARE Ergriffen - JULIAN O Gott! MENALDO Unsel ger! TAMARE Von soviel Schönheit - GUIDOBALD Ach! PAOLO Dacht ich s doch! TAMARE Ein Weib! PAOLO Natürlich! TAMARE begeistert Nein - - GUIDOBALD Eine Göttin! MICHELOTTO Ein Engel! JULIAN Eine Blume! MENALDO Wir kennen das! GONSALVP Ich bitte Dich schweig! TAMARE empört, Geste - - - - - - - MENALDO Wir kennen die ganze Epistel. GUIDOBALD s gibt Wicht geres. TAMARE wütend Wer sagt das? Was wisst denn Ihr - PAOLO So sprich mit Pietro! TAMARE ernst Nennt nicht den Schurken! Ihr besudelt der Göttlichen Namen. MICHELOTTO Wie heisst sie? TAMARE Ja, wenn ich s wüsst! Doch - wüsst ich s, ich würde mich hüten, ihn Euch zu verraten, Ihr - Mädchenräuber! ALLE verblüfft durcheinander Was - ? Du hast s nötig! Ganz ausgezeichnet! PAOLO Wo sahst Du die Schöne? TAMARE Am Municipium ritt ich vorbei - ; da fuhren eben, zu irgend ner Gasterei oder Festivität, der Stadt Väter in goldnen Karossen MENALDO zu den anderen Ob da nicht - was meint Ihr - TAMARE In einer derselben - so hört doch! - GONSALVO - ein Zusammenhang - DIENER meldend Der hohe Rat - und der vieledle Herr Podestà! TAMARE verblüfft Teufel noch mal - ! JULIAN lachend Das heiss ich Glück! VIERTE SZENE Von der einen Seite der Podestà und Senatoren, sowie die Frau des Podestà und Carlotta, von der andern Seite Alviano Salvago und der Notar. ALVIANO Meinen Gruss, Signori, und Dank, dass mein schlichtes Haus gewürdigt ward, des Besuch s so illustrer Gäste, PODESTÀ sehr herzlich Euer schlichtes Haus! O edler Signor Salvago, Ihr seid zu bescheiden. Die Pracht der Räume, die wir durchschritten, hat wahrlich nicht ihres- gleichen in Genua. ALVIANO Euer Lob beglückt mich - doch wollt gestatten vorstellend Hier meine Freunde - Blüte Genuas Ritterschaft - von ihren Stirnen lest Ihr die Namen erlauchter Geschlechter - PODESTÀ sich verneigend, dann Und hier mein Weib und mein Kind, meine vielliebe Tochter Carlotta vertraulich Ich fürchte, Signor, allzufreien Sinn s mögt Ihr sie finden; sie achtet - sehr mir zuleide - gering der Gesellschaft Normen. Bewund rung Eurer Hochherzigkeit und schmunzelnd eine ganz besondere Bitte, die sie an Euch - ALVIANO nicht ohne Verlegenheit Ich heisse die Damen willkommen und wär s mir vergönnt, zu erfüllen der Signorina Verlangen - ich priese mich glücklich! PODESTÀ Doch nun, so s Euch genehm, wollen wir auf die Senatoren weisend delegieret vom hohen Senate, Euch überbringen Dank und freud ges Erstaunen der hohen Versammlung. Euer Schreiben von gestern kündet uns eine Schenkung, so gross und bedeutend, so unerwartet und selten in diese Zeiten. Schwer nur wahrt sich der Bürger die kärgliche Habe; unter den Händen zerrinnt ihm das Gold, mühselig erworben und immer noch mehren sich drückend die Steuern und Lasten. Wir haben s getragen, geduldig zumeist und nur selten murrend; blieb uns als Hort doch unsrer Familie Heiligkeit und der Glaube an die Madonna. Doch da bricht s ein wie der Wolf in die Herde, raubt uns die Frauen, stiehlt frech uns die Töchter und machtlos - hilflos - sich besinnend doch verzeiht, o Herr, wenn das volle Herz, bedrängt von der Schmach dieser letzten Wochen, das Freud ge so rasch vergisst und des Unglücks wieder gewahr wird. Euch unsre Sorgen zu klagen, ist wahrlich nicht unsrer Sendung Zweck. Den ersten Lichtstrahl nach bangen Tagen - ihn danken wir Euch! Des Eilands glückkündenden Namen, wir nehmen ihn als ein gutes Omen. erhobenen Tones So mög denn - gestützt durch die Kraft, die Recht verleiht und die Macht des Besitzes - ERSTER SENATOR Signor Podestà, es gäb zu bedenken vielleicht, und es waren Stimmen - ZWEITER SENATOR ein wenig zögernd Der Form zu g nügen und den Vertragen müssten wir wohl - des Herzogs Adorno Genehm gung - PODESTÀ Ah - bei der Madonna - bald hätt ich s vergessen! Alviano beiseite ziehend, gedämpft Edler Signor Alviano - MICHELOTTO zu den Edlen Die Geschichte hat - so scheint s - noch nen Haken. Die Edlen bilden in eifrig flüsternden Gespräch eine abseits stehende Gruppe. TAMARE bei Carlotta Erinnert Ihr Euch, Signorina, an einen Reiter, heut früh - dess Rappe scheute beim Anblick der gold nen Karossen - PODESTÀ bei Alviano, halblaut Der Herzog Antonio Adorno - - - - das Recht des Einspruchs - - - - abhängig sind wir - - ALVIANO ebenso, jedoch zerstreut Was könnt er dagegen - - TAMARE bei Carlotta Der Reiter aber sah in zwei blitzende Augen; vergass darob, verwirrt und geblendet, zu zügeln das Ross - CARLOTTA lachend - und hätt beinah mit unfreiwill gem Fussfall gehuldigt der Schönen - das wart also Ihr? PODESTÀ Ein tapf rer Herr, doch ängstlich bedacht auf Beliebtheit beim Volk, nicht grade böse, doch eifersüchtig und eitel in hohem Masse, selbst gern fetiert, sieht er s nur ungern - CARLOTTA Ich habe mich sehr amüsiert. TAMARE Ihr seid grausam. Und wenn nun - vom Pferde gestürzt - gebrochen Arm oder Bein - CARLOTTA Ist s Euch ein Blick meiner Augen nicht wert? TAMARE heiss Das Leben gäb ich gern für Euch hin - doch - CARLOTTA Und wenn s grade das wär , was ich wollt ? Ihr seid so gross, so mächtig und stark - so hoch über mir. - Ich muss mich strecken - seht - Euch nur in die, spöttisch ach, so sieges- gewissen Augen zu blicken - ! Mit veränderter Stimme, wie ein bittendes verzogenes Kind. Und säh Euch gern klein und niedrig und arm, tief unter mir, meinen Füssen erreichbar - TAMARE finster Die Toten sind arm. CARLOTTA Aber tot und stumrn. Und ich liebe die Seele, die ringt und sich quält, sich opfert und leidet um Minnelohn. Seid Ihr mal gestorben, was nützt Euch dann - meine Liebe? TAMARE rauh, hervorgestossen, in höchstem Unbehagen. Ihr seid des Teufels, Jungfrau! Die Antwort - ich will sie bedenken mit Bedeutung und geb sie Euch morgen. Will ab. GUIDOBALD Halt, Vitelozzo, was eilst du? Sie umringen Tamare im Hintergrunde der Bühne und sprechen auf ihn ein. MENALDO, JULIAN, GONSALVO, MICHELOTTO, PAOLO durcheinander So hör doch! Wir sind in Gefahr. Er liefert uns aus - diesen lumpigen Bürgern! Der Eingang zum unterirdischen Saal! Wir müssen s hindern - - ! TAMARE man hält ihn Bei der Madonna, so lasst mich - reisst sich los GUIDOBALD eindringlich Sprich mit Adorno - TAMARE sehr aufgeregt Tut was Ihr wollt - lasst mich aus dem Spiel! MENALDO Aber Du - ein Wort! TAMARE zornig Ich weiss nichts, ich will nichts - - ich bin verliebt - ich liebe - hört Ihr? Die Pest in Euch! Ab. PODESTÀ mit Alviano nach vorne kommend So bleibt es dabei! Ihr verzieht einen Tag noch. Der Senat erbittet vorher die Genehm gung des Herzogs - - - Lakaien öffnen die Flügeltür im Hintergrunde, ein zweiter Saal mit einer festlich angerichteten Tafel wird sichtbar. und heut abend seid Ihr mein lieber Gast - ALVIANO Wie Ihr nun der meine. Ich bitte die edlen Gäste, meine Einladung nicht zu verschmäh n, ein einfaches Mahl! gehaucht Signorina - Euren Arm! Er reicht Carlotta ein wenig befangen seinen Arm. Der Podestà bietet den Arm seiner Frau. Die Anderen folgen. Die Lakaien schliessen wieder die Tür. FÜNFTE SZENE Martuccia. Pietro. PIETRO in heftigem Streit begriffen, beschwichtigend Holde Martuccia! MARTUCCIA mit einer Schürze, sehr echauffiert, alte Jungfer Du Lump! Gauner! Verbrecher! Lass mich! PIETRO erschrocken Ich bitt Dich, schweig still! Ich mag nicht erkannt sein. Dein Gebieter, der kleine Krüppel, den bösen Blick fürcht ich an ihm wie die Pest - MARTUCCIA Du Ungeheuer! Betrüger! Du Dieb! Wenn Du nicht hältst Dein gottloses Maul und den Herrn beschimpfst, geh ich Dir zu Leibe, Du Elender, Du! Du Ehrvergessner! Die ganze Nacht hab ich geharrt, den roten Shawl liess ich weh n im Wind vergeblich bis früh weicher und einen Schinken hab ich bereitet - PIETRO gerührt Einen Schinken - o Gott - ! Doch wenn Du erst hörst, was mir widerfahren MARTUCCIA wieder wütend, scharf akzentuiert Und jetzt - wo das Haus voller Gäst , ich alle Händ voll zu tun - kommt er daher, der - - PIETRO entsetzt Das Haus voller Gäst? Wer ist da? MARTUCCIA Zittere, Bube - der hohe Senat! PIETRO erleichtert Der Senat! Doch die Ritter? MARTUCCIA Sind da! PIETRO entgeistert Sind da! MARTUCCIA Und ich schwatz mit dem Kerl - statt - PIETRO Ich muss fort. MARTUCCIA Aha! PIETRO dringend Doch hör , Martuccia - hör , ich beschwör Dich nahe bei ihr Ich bin in Bedrängnis. In dieser Stadt ist ein anständ ger Mensch seines Lebens nicht sicher. Man interessiert sich für mich, - allzu sehr, wie mir scheint - und zu alldem verfolgt mich seit Tagen - ein Weib - MARTUCCIA Was? PIETRO Jawohl, eine Dame - eine wirft sich in die Brust vornehme Dame - ; das heisst - nicht mich - sondern den - für den sie - mich hält - und sie glaubt, ich sei - der Ritter Menaldo. MARTUCCIA starr, ihn musternd Nein - diese Frechheit - ! PIETRO Da hast Du recht, eine freche Person - MARTUCCIA wütend Nein! Du! Du! Du Schuft - nachäffend "Der Ritter Menaldo !" sie lacht grimmig PIETRO Sie hat sich s nun in den Kopf gesetzt, mich, das heisst - den Ritter Menaldo, zu verklagen bei Herzog Adorno - und geht nicht von mir und Iässt mich nicht aus - und sperr ich sie ein in meinen Palazzo da drauss vor den Toren - wie leicht könnt s gescheh n - - die Polizei - neu stens auf Mädchenräuber erpicht - hält mich für einen - hält mich für einen - und knüpft mich auf! MARTUCCIA sehr erschrocken Oh - ! PIETRO Das kannst Du nicht wollen. Du - die Du mich liebst! Nimm sie auf bei Dir! - MARTUCCIA Was - ? wen? - PIETRO Sie ist hier! MARTUCCIA perplex Wer - wo? PIETRO Das Frauenzimmer - die Dame - bewahr sie dem Ritter - Menaldo - ich fliehe! Doch - heute Nacht - geheim und verstohlen - ich schwör es - bin ich bei Dir - Rasch ab, jedoch bei einer andern Tür, als er gekommen. MARTUCCIA ratlos Heute Nacht - jammernd Ah - ah - ah - der Verbrecher! Was fang ich nur an! Oh - oh - ! ab Draussen vermischt sich ihre Stimme mit einer zweiten Frauenstimme, die zuerst aufgeregt auf sie einredet; man hört den Namen "Adorno". Die Stimmen besänftigen sich dann, werden schwächer und verlieren sich. SECHSTE SZENE CARLOTTA sich das Lachen verbeissend, aus dem Saal Ihr seid köstlich, Signor Alviano - nein wirklich - ALVIANO ihr folgend So ist Euch schon besser? CARLOTTA lacht, ihr Lachen klingt unnatürlich, übertrieben ALVIANO Ich erschrak -, Ihr grifft Euch plötzlich ans Herz und wurdet ganz blass - . CARLOTTA schwer atmend Ach - Kindskopf - mir ist wohl wie dem Fisch im Wasser, Doch sagt Euch mein Vater nicht von einer Bitte? ALVIANO Ja, - freilich. CARLOTTA So rasch vergesst Ihr solch wichtige Sachen? ALVIANO verlegen Nein - doch - CARLOTTA Nun seht - vor den vielen Leuten - es wär nicht gegangen! Und da all mein Blinzeln, verstohlenes Winken, mein Fragen, ob Ihr nicht hättet in Eurem Besitz ein Bild, eine selt ne Skulptur, mir zu zeigen - nichts half, verfiel ich darauf - ALVIANO befremdet, errötend Ah - wahrlich! Für einen Tölpel müsst Ihr mich halten, lebensunkundig, einfältig und albern. - Doch selten nur blüht mir Umgang mit schönen Frauen - so kommt s - dass - begreift Ihr - ? CARLOTTA Ich begreife - doch hört nun! Ich male. Ja, wahrhaftig, - blickt nicht so erstaunt - ich male Bilder. Tiere und Menschen, Bäume und Seen - den Himmel, das Licht - doch am liebsten male ich - still Seelen. ALVIANO Und könnt Ihr das - ich meine - gelingt s Euch - Seelen zu malen? CARLOTTA Weiss nicht, ob ich s kann - und wenn s nicht gelingt - liegt s, so dünkt mich, nicht immer an mir; man findet so schwer - die Modelle, Nur einmal - da schien es geglückt; das Bild erstand, so wundersam fein - nur ein hässlicher Schatten, zwischen Kinn und Mund - sehet - da - und wie ich auch sann und mich bastelnd mühte - er kam immer wieder. Schon glaubt ich ihn fort und für immer gebannt - da - unversehens - tückisch schleicht s aus den Pinseln und setzt sich fest! Das Bild gab ich auf; hab dann lang nichts versucht mehr - - doch faszinierend Euch - Euch möcht ich gern - malen. ALVIANO wie von einer Tarantel gestochen Mich - ? Alle Teufel - seid Ihr von Sinnen? giftig Ganz recht! - So musst s kommen. Glaubt ich doch schon - Ihr nähmet mich ernst, - wär t anders, als wie die Andern - die Schlangen, mit sanften Gesichtern, lockenden Augen und Herzen wie Teufel - doch eben - erkannt ich s - derselbe Blick CARLOTTA sehr erschreckt Urn Gotteswillen - besinnt Euch - ! ALVIANO scharf, schneidend Vielleicht als Narr in einem Gemälde, unter schönen Herren und Frauen, wirksam als Kontrast - mit ner Kappe und Schellen - der Buckel passte nicht schlecht - zum Gespött der Leute - verewigt für alle Zeiten! CARLOTTA stark Jetzt schweigt! Vergesst nicht, dass mit einer Dame Ihr sprecht. Ihr tut mir - unrecht - hört mich zu Ende! ALVIANO setzt sich mit verbissenem Lachen in eine Ecke. CARLOTTA Dort, wo die Stadt weit wird, und der Blick sich auftut auf die Campagna - hab ich als Werkstatt ein kleines Häuschen. In zeit ger Frühe, wenn einsam und leer noch die Gassen und Plätze, das bIass-fahle Licht des frühen Morgens matt und milde die Leinwand umspielt, dünkt s mich zur Arbeit die rechte Zeit. An meinem Häuschen vorbei führt ein Weg, gesäumt von hohen Zypressen - den kennt Ihr wohl - Ihr schrittet ihn oft. Scheu und gebückt in Gedanken versunken - plötzlich misstrauisch musternd die Fenster, deren Gardinen die Späherin bargen - doch Ihr saht sie nicht. Da stieg auf, purpurn glühend - Schleier in tausend Farben, schillernd, leuchtende Nebel, gespenstischen Herolden gleich, zogen, ihr Nahen kündend, voran - - die Sonne. Und ein zweites Wunder geschah - Ich sah - wie der kleine, armsel ge Wand rer sein Haupt hob. Jeder Muskel spannte sich straff in dem schmächtigen Körper - die Arme stiegen an, hoch zum Himmel gebreitet. So schritt er hinein in den Glast, der Sonne entgegen; und grösser und grösser sah ich ihn werden - riesenhaft wuchs die Gestalt, - mir klopfte das Herz - . So malte ich Euch, Signor Alviano. So malte ich Eure Gestalt, entgegenschreitend der Sonne. Doch mir fehlt noch das Antlitz, und - mir fehlt noch das trunkene Auge, darin all die Schönheit sich spiegelt. ALVIANO zitternd - - - Ich bin beschämt - ich weiss nicht - - verzeiht mir - mir war noch nie so - zu Mut - im Leben - - ! CARLOTTA zart Wollt Ihr kommen - in meine Werkstatt - dass ich - das Bild - vollende - - ? ALVIANO sich über ihre Hand beugend, leise Ich will - gern kommen. Der Vorhang fällt langsam. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ Aiko Oshio Schreker,Franz/Die Gezeichneten/II
https://w.atwiki.jp/vocaloidenglishlyric/pages/347.html
【Tags Kurousa-P Miku tT S tA】 Original Music title 千本桜 English music title One Thousand Cherry Trees / A Thousand Cherry Trees Romaji music title Senbon-akura / Senbon-zakura / Senbon Zakura Music Lyrics written, Voice edited by 黒うさP(Kurousa-P) Music arranged by 黒うさP(Kurousa-P) Singer 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Intrepidly raising a plush revolution Free and easy, an antiwar country Peddling a bicycle marked with the Rising Sun Exorcising evil spirits Running through ring roads Always busy to be on the move, no big deal Boys and Girls, being incomparably strong in warring states As the way this transient world goes round A thousand of cherry trees are under cover of night Your voice cannot even reach This is a feast, a steel cage Look down from the guillotine Darkness of Eternal World, Buddhist Cosmology A wailing song cannot even be heard Far away is the indigo blue sky Shoot out with the raygun Looks like a battled-hardened army officer Going and coming on the way of Oiran This guy, that guy, everyone, close in! It s a march of saints One, two, three, four Passing through the gate of Zen Land of Bliss, ceremonial cleansing from evil influence Surely the curtain will be drawn with a happy ending Between applause A thousand of cherry trees are under cover of night Your voice cannot even reach This is a feast, a steel cage Look down from the guillotine Darkness of Eternal World, Buddhist Cosmology A wailing song cannot even be heard Far away is the hill of hope Set off the flash bang Running through ring roads Always busy to be on the move, no big deal Boys and Girls, being incomparably strong in warring states As the way this transient world goes round A thousand of cherry trees are under cover of night Your voice cannot even reach This is a feast, a steel cage Jump off the guillotine A thousand of cherry trees are under cover of night You sing and I dance This is a feast, a steel cage Now, shoot up the raygun English Lyrics (translated by animeyay)： After a bold and audacious Westernization revolution, this is now an open and upright anti-war nation. As I pedal forward my bicycle marked with the Japanese flag, evil spirits will disperse from my intercontinental ballistic missiles. Looping the belt line, I don t care if I m constantly on the move. Boys and girls must be unrivaled during the warring era, in the floating world. Thousands of cherry trees dissolve into the night. Not even your voice will reach. This is a banquet inside a steel jail cell. Look down on us from your guillotine. The whole world is shrouded in hellish darkness. Not even a lamenting song is audible. With your raygun, shoot out the azure sky and the far distance. Hundreds of fights will give one the apperance of an officer. The courtesans are going here and there on a parade for their regular guests. Everyone, assemble here now. It s a march of the saints. One! Two! Three! Four! To pass through the gate to dhyāna[1], and achieve nirvana with cleansing, the closing act must be a happy finale, accompanied by applause from the audience. Thousands of cherry trees dissolve into the night. Not even your voice will reach. This is a banquet inside a steel jail cell. Look down on us from your guillotine. The whole world is shrouded in hellish darkness. Not even a lamenting song is audible. The hill of hope is in the far distance, so shoot up your flashlight grenade. Looping the belt line, I don t care if I m constantly on the move. Boys and girls must be unrivaled during the warring era, in the floating world. Thousands of cherry trees dissolve into the night. Not even your voice will reach. This is a banquet inside a steel jail cell, so jump off from your guillotine. Singable English Lyrics (by kran117)： With a bold and sudden calling, Western Revolution s starting Let our hearts be open to it Pacifist nation Riding on a penny-farthing, it s the flag of our sun rising, Warding evil spirits like an ICBM On the train tracks, running along the line, let us move forward. Don t look behind. Boys and girls becoming like samurai just like those from our previous life Thousands of cherry blossoms dwindling in the light Though I can t hear your voice, keep what I say in mind - This bouquet that surrounds is iron poison, see, Looking down at us from that big guillotine Darkness has just engulfed the universe we know The lament that you sing can t reach ears anymore We are still far away from reaching clear blue skies Go ahead, keep shooting, with the ray gun, fight! Veterans who ve trained through struggles are now officers in battle Here and there, we see the harlots in procession This one, that one, doesn t matter, every single person gathers March on to our saintly deaths now! 1, 2, san, shi Passing through the gates on the mountain peaks, Escaping this world, kill all the evil fiends Surely this will end in a denouement Among the crowds giving their applause Thousands of cherry blossoms dwindling in the light Though I can t hear your voice, keep what I say in mind - This bouquet that surrounds is iron poison, see, Looking down at us from that big guillotine Darkness has just engulfed the universe we know The lament that you sing can t reach ears anymore We are still far away from reaching peaks of hope Go ahead, keep shooting, use the flashing bolt! On the train tracks, running along the line, let us move forward. Don t look behind. Boys and girls becoming like samurai just like those from our previous life Thousands of cherry blossoms dwindling in the light Though I can t hear your voice, keep what I say in mind - This bouquet that surrounds is iron poison, see, Leaping down to us from that big guillotine Thousands of cherry blossoms dwindling in the light Once your song can be heard, we ll dance with all our might This bouquet that surrounds is iron poison, see, Go ahead, keep shooting, with that ray gun, lead! [1] [1] dhyāna a meditative state characterized by profound stillness and concentration. Romaji lyrics (transliterated by animeyay )： daitan-futeki ni HAIKARA kakumei rairai-rakuraku hansen kokka hinomaru-jirushi no nirinsha korogashi akuryou-taisan AI-SHII-BII-EMU kanjousen o hashirinukete touhon-seisou nan no sono shounen shoujo sengoku-musou ukiyo no manima ni SENBONZAKURA YORU NI MAGIRE KIMI NO KOE MO TODOKANAI YO koko wa utage hagane no ori sono dantoudai de mioroshite SANZEN-SEKAI TOKOYO NO YAMI NAGEKU UTA MO KIKOENAI YO seiran no sora haruka kanata sono kousenjuu de uchinuite hyakusen-renma no mitame wa shoukou ittari-kitari no oiran douchuu AITSU mo KOITSU mo minna de atsumare seija no koushin wan tsuu san shi zenjoumon o kugurinukete anraku-joudo yakubarai kitto saigo wa daidan en hakushu no aima ni SENBONZAKURA YORU NI MAGIRE KIMI NO KOE MO TODOKANAI YO koko wa utage hagane no ori sono dantoudai de mioroshite SANZEN-SEKAI TOKOYO NO YAMI NAGEKU UTA MO KIKOENAI YO kibou no uta haruka kanata sono senkoudan o uchiagero kanjousen o hashirinukete touhon-seisou nan no sono shounen shoujo sengoku-musou ukiyo no manima ni SENBONZAKURA YORU NI MAGIRE KIMI NO KOE MO TODOKANAI YO koko wa utage hagane no ori sono dantoudai o tobiorite SENBONZAKURA YORU NI MAGIRE kimi ga utai boku wa odoru koko wa utage hagane no ori saa kousenjuu o uchimakure [KurousaP, whiteflame, Kurousa-P]